A Quote by John Lydon

Any new ideas go into PiL. My inspiration is everything that the human being gets up to. I don't listen to any music when I'm in PiL-zone, because influences can poison your well. Otherwise, I listen to anything.
I like to listen to African music; I like to listen to Brazilian music that's not just Choro. I love to listen to Radiohead, I like to listen to James Brown - any music.
I've got to be honest: I don't listen to any music now. I don't even listen to mine! I like to walk fresh into the studio and have ideas that come straight out of me.
I don't listen to music. I very rarely listen to music. I only listen for information. I listen when a friend sends me a song or a new record.
'In empathic listening you listen with your ears, but you also, and more importantly, listen with you eyes and with your heart. You listen for feeling, for meaning. You listen for behaviour. You use your right brain as well as your left. You sense, you intuit, you feel.' ... 'You have to open yourself up to be influenced'.
Well, I was a real late-comer to listen to music, actually, because my parents - first of all, my parents weren't big music fans. They didn't listen to music. We didn't really listen to stuff in the house.
When you are studying jazz, the best thing to do is listen to records or listen to live music. It isn't as though you go to a teacher. You just listen as much as you can and absorb everything.
When I was CEO, and I'd listen to music, a lot of people listen to music and you get inspiration from it. And a lot of things in hip hop are very instructive for being in business. Particularly, hip hop is a lot about business, and so it was very useful for me in any job.
I don't listen to a lot of music at all. I think that's very bizarre too, because it was such a comfort zone for me. But I don't know if I had my fill, but I don't listen to a lot of music, because I'm creating it.
I think people assume that whatever kind of music you make is the music you listen to. Don't get me wrong, I listen to tons of pop music and all the music that really inspires Best Coast is very straightforward '50s and '60s pop music, but I've been listening to R&B and rap since I was a kid. I grew up in L.A. It's part of the culture. I listen to anything.
Everyone has their parent's [music] collection which is strongly influences what you listen to as a kid. You have no choice. You have to listen to whatever they're bumpin. I grew up with what they listened to a lot.
I listen to nothing or classical music just because after being in the studio for twelve hours, the last thing you want to do is listen to anything.
I listen to new music by composers who are interesting to me. I listen to some; I don't know if I want to call it pop, but it's some interesting artist that gets my attention, I listen to in the mornings.
Being able to connect with people with similar taste and style also allows people to get to know us better. Although we have been around for a little, some people listen to our music and some people don't listen to our music, so it's nice to be able to curate the sounds and show our influences. Although it's nice to go out and look fancy and dress up, you don't always go to parties where the music is a good so it's nice to be in a position to bring the vibes and create the experience.
I'll take two months off just to listen to records and not do any music so I can absorb all that and then when I go do my music. It's all in me. I'll listen to a different genre every two days or something, study it, 24 hours straight.
What happens when I'm making a new album is I try not to listen to music that's coming out at the time. I turn off the radio and don't read any music blogs, because I tend to get really distracted by new music. When I hear it, I think, "Should I be doing that?"
I listen to music to try and focus or concentrate on emotional characters, which is quite common among actors. It might seem cheesy, but I particularly listen to Coldplay because I'm moved by their lyrics. But any music can help depending on the character and their mood.
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