A Quote by John Lydon

I think there's something basically wrong with the general public that they do need their icons. — © John Lydon
I think there's something basically wrong with the general public that they do need their icons.
On the news that the Tsar had sent the troops icons to boost their morals, General Dragomirov quipped: 'The Japanese are beating us with machine-guns, but never mind: we'll beat them with icons.
Well, I try not to think about the general public since I have no idea what the general public is and I don't think anybody does.
They are wrong who think that politics is like an ocean voyage or a military campaign, something to be done with some particular end in view, something which leaves off as soon as that end is reached. It is not a public chore, to be got over with. It is a way of life. It is the life of a domesticated political and social creature who is born with a love for public life, with a desire for honor, with a feeling for his fellows; and it lasts as long as need be.
One of the curious effects of a bad hangover is that you think you're wrong whether you are or not. Not wrong in particulars, but wrong in general, wrong about everything.
The bourgeois public sphere may be conceived above all as the sphere of private people come together as a public; they soon claimed the public sphere regulated from above against the public authorities themselves, to engage them in a debate over the general rules governing relations in the basically privatized but publicly relevant sphere of commodity exchange and social labor.
In the U.S., the term 'general aviation' means its exact opposite, the way 'public school' does in England. An English public school is private and, on top of that, exclusive. Likewise, general-aviation airports in the U.S. are for everyone but the general public.
The trouble with poverty, as an issue, is that it has basically exhausted the patience of the general public.
I do think [in USA] is a need for change. There is something wrong when you have $20 trillion of debt and crumbling infrastructure at the same time, and really fewer people employed than have been. Something is wrong.
Like public surface in general, sewers are unbelievably important. They're so important that we make sure they work basically all of the time. Which is why you never think of them - that's kind of the point.
I think the general public's response to my projects is very strong. You can be an intellectual and say that popularity detracts from architectural quality. On the other hand, you can see in the public's identification something very positive.
I think whenever something is - whenever there's something that affects the public good, then there does need to be some form of public oversight.
There is something wrong with our world, something fundamentally and basically wrong.
The one recurring theme in my writing, and in my life in general, is confusion. The fact that anytime you think you really know something, you're going to find out you're wrong - that is the rule. The moments where you think you have something figured out, those are the exceptions.
We don't need American Idols. We need American icons. Icons of work.
I really hate it when people ask me who my icons are. When your parents are Bianca and Mick, you don't really need any more icons in your life.
You have to take away the idea that something you do is right or wrong. I don't think there's a right or a wrong; I think there's an "it works" or "it doesn't work" for the whole. And that's why you need a director you trust, so you can just keep throwing out suggestions.
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