A Quote by John Maeda
All I want to be is, someone that makes, new things and, thinks about them.
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How do I think of you? As someone I want to be with. As someone as young as me, but "older," if that makes sense. As someone I like to look at, not just because you're good to look at, but because just looking at you makes me smile and feel happier. As someone who knows her mind and who I envy for that. As someone who is strong in herself without seeming to need anyone else to help her. As someone who makes me thinks and unsettles me in a way that makes me feel more alive.
When you come fact to face with love, and before the sun sets, you become someone you didn't used to be. It makes the old things new. Makes dead things live. Love makes you into something better.
We buy things. We wear them or put them on our walls, or sit on them, but anyone who wants to can take them away from us. Or break them.
...
Long after he's dead, someone else will own those stupid little boxes, and then someone after him, just as someone owned them before he did. But no one ever thinks of that: objects survive us and go on living. It's stupid to believe we own them. And it's sinful for them to be so important.
There probably is a lot of music that no one's ever gonna hear. For anyone doing music, just do exactly what it is that makes you want to do it. If you like listening to odd, strange, bizarre noise and that makes you want to create it, do it. Even if everyone around you tells you it's crap or thinks it won't work, someone out there is going to appreciate it.
I always tell people, "There's a book on everyone." I get some of that book before I do anything. If I want to deeply understand someone's reputation, I'll talk to their friends, their former bosses, their peers, and I'll learn a lot about them. I want them to be trusted. I want them to be respected. I want them to give a s - -. Then there are the intangibles: physical and emotional stamina, the ability to confront issues. I can ask all I want about those things, but I also have to see a lot of it.
I want to write about serious things, but I want to write about them in a way that makes them accessible to a large number of people - to take them through the argument by dramatizing the circumstances in which these issues are being discussed.
I think she was the love of his life. When you've got one of those, it does stuff to you. It makes you think about them even when you're doing routine things. It makes you want to protect them, to make them happy and safe.
My granny Torrelli says when you are angry with someone, so angry you are thinking hateful things, so angry maybe you want to punch them, then you should think of the good things about them, and the nice things they've said, and why you liked them in the first place.
All the subject matter I talk about isn't new; all comics talk about the same things. But it's how you talk about them or present them or what you look like up there that makes the difference between an okay comic and a great one.
Someone wanted me to write a profile for ESPN about the commissioner of baseball, and I said, "He's just some suit! Some Republican. No!" I mean if you want me to write about baseball, boxing or football, I'll write about those things because I watch them, I think about them a lot and I like them. But I don't want to write about Barry Bonds.
Is it possible to do something that that makes an audience uncomfortable, challenges them, makes them see things they're not used to? Here in these films [Salome the play and Salomaybe], I have the opportunity to say something about how I feel about things.
The thing about new things is you feel new when you buy them, you feel as though you are somebody different because you own something different. We are our possessions, you know. There are people who get addicted to buying new stuff. Things. Piles and piles of things. But the new things become old things so quickly. We need new things to replace the old things.
Never trust anyone who has no doubts. And I'm not talking about scepticism either: scepticism can be a healthy thing. You can have an argument with someone who's a sceptic. When I say 'cynic', I mean someone who has given up, and they want you to give up too, so it makes them feel better about themselves.
Burgundy makes you think of silly things; Bordeaux makes you talk about them, and Champagne makes you do them.
A writer is not so much someone who has something to say as he is someone who has found a process that will bring about new things he would not have thought of if he had not started to say them.
When you're young - when I was young - you want your emotions to be like the ones you read about in books. You want them to overturn your life, create and define a new reality. Later, I think, you want them to do something milder, something more practical: you want them to support your life as it is and has become. You want them to tell you that things are OK. And is there anything wrong with that?
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