A Quote by John Malkovich
Some directors expect you to do everything; write, be producer, psychiatrist. Some just want you to die in a tragic accident during the shooting so they can get the insurance.
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A director must be patient and unflappable. I think I was always pretty relaxed. I don't find shooting as traumatic as some directors do. Some hate it. But you also have to be strong-willed and persistent enough to get what you want.
Every show is unique; some shows have the master plan and have everything figured out and that's just the way they do things. It's like high school. Some people write their papers the second they get their assignments, and some people write it the day after it's due.
Life is a gamble. You can get hurt, but people die in plane crashes, lose their arms and legs in car accidents; people die every day. Same with fighters: some die, some get hurt, some go on. You just don't let yourself believe it will happen to you.
Every show is unique, some shows have the master plan and have everything figured out and that's just the way they do things. It's like high school. Some people write their papers the second they get their assignments, and some people write it the day after it's due. I am the latter.
I think some people get just locked into 'this is the way it has to be,' and they're afraid of messing something up. I don't ever want to be that way with shooting or with anything, really - not just shooting.
I do want to take some time and reinvent and get better and maybe get behind the camera a little more. I do want to direct at some point and start failing really early - start shooting videos and then commercials and then hopefully do some narrative.
Any filmmaker, big directors, and I'm not dropping any names - I actually have couple names I want to say, but I will not - we have a ratio. Each thing you repeat, my ratio is one to four.Actually some people are ratio one to 34. I know couple directors, big directors, they are just shooting over and over.
Gandhi was only minding his own business when he took a walk to get some salt and ended up overthrowing the British Empire. You can't set out to overthrow an empire, but if you have to get some salt then get some salt. If you have to write some independent songs that are honest, just write them. If you have to do a day job stacking shelves, so be it.
With everything, 'Shooting Stars' included, we'll just have some words on a card to prompt us - 'How would Rod Stewart die,' that kind of thing - and we'll just run with that idea, as if we were talking to each other, messing around. And I'm no scholar of these things, but I think that's what double acts should do, isn't it?
With directors, some have a kind of in-built ability to just know how to work with actors and get the best out of actors, and some don't have a clue about acting. I think it'd be a good idea if directors put themselves in front of the camera, or even went on a six-week drama course, just to know a little bit about what that feels like.
There's some [films] where I do a lot of homework and then there's some, where it's supposed to take you by surprise. So you kind of just want to get in there and have everything take you by surprise rather than just have him tell you how everything went down.
When I sit down to write a book, I do not say to myself, 'I am going to produce a work of art.' I write it because there is some lie that I want to expose, some fact to which I want to draw attention, and my initial concern is to get a hearing.
It's a tragic fact to die in an accident
Sometimes, directors are afraid to stop shooting, because the second you stop and say, "We got it," and move on, you'll never get another chance. And they're terrified to get in the cutting room and not be happy. So they just keep shooting.
The key is you don't want to control the controlled stuff too much and you don't want to be too free flowing in uncontrolled situations. That can be a contentious issue with some directors. The joy of my career is I've gotten to work with great directors who get that balance.
People offer me loads of stuff, and some of it I like, but I just can't do it because I can't write it all. So I might get in the position where I have some sort of company and just write maybe the first episode, but these are love projects, in a way.
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