A Quote by John Malkovich

I don't mind tracksuits. At the track. — © John Malkovich
I don't mind tracksuits. At the track.

Quote Topics

Never mind the track. The track is for punks. We are Road People. We are Cafe Racers.
I was running track early in my years and I was breaking track records in sprint running. I was training and I wanted to be in the Olympics. I thought I was going to be able to win a gold medal, and my mind was pretty much set on 'this is what I want to do'.
He used this great, sad, motionless face to suggest various related things: a one-track mind near the track's end of pure insanity; mulish imperturbability under the wildest of circumstances; how dead a human being can get and still be alive . . .
I can't bear working with a click track, we're not click track people. But for "Mercy Is ..." we all got in one mind because the song is delicate; it's not a song that showcases a vocal or some virtuoso.
I love tracksuits because they're so comfortable.
The minute I get home, I'm in tracksuits.
I love short track. I competed in short track, I was a world champion in 1986 but at that point in time it wasn't in the Olympic Games so I moved into long track. Short track is a blast to skate and it's a blast to watch.
In real life, I'm always in tracksuits, and I never wear makeup.
Growing up in the sport, I've been able to separate what happens on the track with what happens away from the track. That track is totally different. I'm not the same person when I put that helmet one.
In track years... track is not like other sports. You do have track athletes that stay in this sport until, like, 35, 36, but I think when you get to 28, it's really difficult.
I used to always wear jeans, T-shirts and tracksuits because I was narrow-minded about fashion.
The East End of Glasgow is like the Olympics. Lots of foriegners in tracksuits struggling to speak English.
I have no idea how to dress for the winter. I tend to end up wearing tracksuits and a beanie most of the time.
I've been in the studio when you go through a track and you run down a track and you know even before the singer starts singing, you know the track is swinging... you know you have a multimillion-seller hit - and what you're working on suddenly has magic.
I've been in the studio when you go through a track and you run down a track and you know even before the singer starts singing, you know the track is swinging ... you know you have a multimillion-seller hit - and what you're working on suddenly has magic.
Any kind of sequence when you have to express physical space and time can be difficult to story-tell because, if you're sitting there watching it like it's a play or something, your mind can track what's going on, or if you're watching an actual fight you can kind of track what's going on, but as soon as you have to start telling the story and tracking for the audience, it becomes much more complicated.
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