A Quote by John Malkovich

I think with actors, if you just don't set about trying to crush their confidence immediately, you're usually OK. — © John Malkovich
I think with actors, if you just don't set about trying to crush their confidence immediately, you're usually OK.
Oh, my god," Augustus said. "i can't believe i have a crush on a girl with such cliché wishes." "i was thirteen," i said again, although of course i was only thinking "crush crush crush crush crush". I was flattered but changed the subject immediately.
It's always hard as an actor I think to be just on the set and have the kind of confidence to be like, 'Yeah, I did that. That went perfectly. That's great.' That's more confidence than I have.
I like to spend time with senior actors before going on set to break the ice. On set, I just look at them as co-actors.
When we think about making the people in the audience happy, or trying to make them feel something, it kind of goes to waste. Usually we have our best skates when we just think about each other, and we just think about being in unison, and think about the program we're trying to do.
I think my interest in risk is pretty high, a lot higher than I think a lot of other people who are just looking for something to kind of define themselves, give them a set of fingerprints, and certainly is better for the pocketbook. For me it's always about trying new things and wanting to explore something else and something new of myself and of actors I really like.
But what I've also really liked about it is that it not only has Marvel set about... if they just were slavishly trying to bring the comic books to life, literally, I don't the movies would work, because it's different to see something on screen in three dimensions with actors, and they kind of, I believe, are constantly trying to find a way to absolutely respect the source material and at the same time, transform it into something that works and that you believe on screen.
The first album I started out, I just did everything completely alone. I think it has to do with confidence. The more confidence you develop in your own sound, the more you can open up and alchemize that with other people, just set it free, and not feel challenged by that.
I think the most difficult thing about coming out is just getting to that place where you're comfortable with who you are and you're sayin' hey this is ok and just accepting yourself and not caring what other people think. Because if you don't have that confidence in who you are then, if things don't go the way you wish that they will, you know if people aren't accepting then they can easily tear you down if you're not prepared and comfortable with who you are.
We're paid to care. That's what actors get their money for. But the main goal is not for the actors to be frustrated at the end of the show, but for the audience to be throwing their shoes at the television set. That's what we're trying for.
I actually love Twitter and Instagram. I do think it's so strange to think that 20 years ago, people would never have known personal stuff about musicians and actors, but I like it. As long as I don't obsessively overshare, it's OK. And when I do overshare, it's just, like, me saying, 'I've got $7 in my bank account!'
It's really easy to finish a movie and sort of immediately dive into the next one, because I love working with actors so much and being on set, my inclination is to try to get back to that as soon as possible. There's just never much of a gap.
I think that for a lot of actors - especially American actors - to get line readings and to be told and have your director literally act out the part for you is sort of discouraging in a way. It's a very Eastern European thing to do - a lot of directors that I worked with in Russia did that as well. And, I never took that as an insult, as many actors tend to do. To me, I think it's just offering a certain energy - offering their flavor - and, instead of trying to sort of decode and communicate it to you, they just show you their flavor of what it should be.
I don't know what I am on set. I can be many different things on set depending on how stressful a situation is. But at the end of the day we're making movies, we're not saving the world... we're not an army, no one's lives are at risk and we're just trying to make art, so I think as long as you keep reminding yourself that's what it's about you can have fun.
I haven't always been good at flirting, but I've learned that flirting is all about confidence. I don't think it's about being sexy at all; it's just about having enough confidence to walk up to somebody and have a conversation with them.
I think musicians oftentimes have the right skill set to be good actors. And with Rihanna, I noticed her and knew of her obviously, and was very taken with her charisma and her confidence.
It's not that I can't find art beautiful. I just don't know what to do, standing there in the gallery. I don't know what to think about. Once I've seen it, I've seen it; that takes about two seconds. I am interested and then immediately bored, immediately.
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