A Quote by John Maus
I'm sure a handful of people can relate to that experience of having some kind of romantic encounter - the event of love - which they just can't shake. They take it with them, despite their own desire, and it continually haunts them, and there's nothing to be done about it. That's a true rarity.
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THE FIRST STEP in changing the future is Desire, that is, define your objective - know definitely what you want. SECOND: construct an event which you believe you would encounter following the fulfillment of your desire - an event which implies fulfillment of your desire - something which will have the action of Self predominant.
I write every day and I just love doing it. It's just... it's just a wonderful thing. Some of my stories work, some of them don't work. Some of them are wild and I love them, but they certainly don't fit into any kind of a normal system that I know about.
It kind of hit me at some point during the process that most people in the film business - not just the executives, the people who make them, too - tend to come from pretty upper-class backgrounds. If they go work a job, it's to have that experience, that sort of thing. After they graduate college, they have time to go visit Europe and take some time off and get their heads together. That kind of thing, I sure didn't have.
Some designers are so airy-fairy people can't connect with them. I hope people can relate to me, to a normal person who just happens to be a fashion designer, that people can take me as they find me. It's not the designer's job to care about what people think. Whatever else I've done, I've never tried to be something that I'm not.
Vision is about more than just getting things done, accomplishing some task, achieving something; it is about discovering and expanding our view of others, affirming them, believing in them, and helping them discover and realize the potential within them-helping them find their own voice.
I get some of my ideas from watching my three daughters, but most of them come from my own memories of growing up. I can remember how romantic I was, not just about love, but romance in the classic sense - the romantic ideals: of honor and truth, of loyalty, sacrifice and fairness. Those were the elements that made a story satisfying to me.
I love to see heroes who fuel some kind of moral furnace inside them, who are driven to take on the evils of the world, despite the fact that the evils of the world are more powerful than them. And essentially can never be defeated, but they refuse to bow down. And in order to enjoy that aspect of the hero, you've got to put them through hell.
I came to the resolve that the attempt was not only worth trying, but should be tried in the very near future if we wanted at all to keep our flag flying; for I was sure as of my own existence that if another decade was allowed to pass without an endeavour of some kind or another to shake off an unjust yoke, the Irish people would sink into lethargy from which it would be impossible for any patriot . . . to arouse them . . .
What I found was when I started my first study, and then in subsequent studies, is here you have people under some kind of duress, or I chose to study them because they represented some kind of historical event, as it impacted on them or as they helped to create it.
Guns aren't just a tool of last resort. They're awesome. That's why people stroke them. And name them, and take pictures with them. You guys aren't just firearm enthusiasts — you're ammosexuals. And before you try and deny you have some sort of unnatural romantic relationship with your gun, consider this. You're taking it out to dinner! Because it completes you. Get a room.
Some people weren't sure whether they wanted to get on board until the very end, and by then it's too late - so we just shake their hand and thank them for their time as well. I don't know that I'm beating anyone at their own game, other than just being myself and doing what I've promised my fans, my family, and my team that I'm going to do.
I love romantic comedies. I love romantic movies. I'm kind of a sucker for them, and, sort of end up crying at the end of them all, like a child.
There is a kind of expressed love which is easy to subvert. When a figure is loved for their deeds, their conquests, their heroism, their goodness, their love of the people, these are easy enough to destroy... But there is a kind of love which is felt for apparently no reason... A love, inspired, it seems, by the gods, which it is impossible to fight, distort, destroy, or weaken. In fact, the attempts to destroy such loves only strengthen them. And to do nothing allows them to continue to grow at their natural pace, inexoribly, till this love becomes a wide and silent adoration.
I've had some painful experiences in my life, but I feel like I'm trivializing them by using them for a scene in a movie. I don't want to do that. It just makes me feel kind of dirty for having done that.
Honestly, Think Like a Man was the first romantic comedy that I liked. I'd kind of avoided them for awhile because I never felt that any of them were really smart enough. But when I read this script, I genuinely fell in love with the characters, especially my own. So, I just wanted to be a part of it.
Be loved. Be known. Love people and know people. Be so brave as to raise a hand for help when you need it. Make friends and make sure they know they matter. Be loyal to them and fight for them. Remind them what’s true and invite them to do the same when you forget. If you do some losing or you walk with someone else in their defeat, live with dignity and grace. It is the middle finger to the darkness.
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