A Quote by John Mayall
The way I look at it, they're all part of my musical diary, and I can listen to any one of them and it will bring up memories of what was going on at that time.
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Writing a diary every evening before going to bed is a good habit. We can record in the diary how much time we have devoted to our spiritual practice. The diary should be written in a way that helps us see our mistakes and correct them. It should not be a mere document of other peoples' faults or our daily transactions.
Keeping a diary is advanced-level living. I spend way too much time trying not to curl up in the corner like a giant fetus & weep to keep a diary.
I'm not a poet. I'm not up onstage to get something off my chest. I'm making musical statements, or, most of the time, musical questions for people to figure out, and I'm not going to get in the way of that.
NEU!'s music will always ("für immer") be a part of me and I absolutely stand to what we've created. Of course I have changed since and I judge my contributions to NEU!'s music of the 70's in a historical context. They were both a description of my feelings back then as well as an expression of my musical abilities and limitations. It would be a mistake to ignore the time factor and it would be an artistic shortcoming to pick up on the old concept without doing any changes. There is no way this is going to happen anyway.
Metallica is going to be one of those bands you look back on in the year 2008, that people will still listen to the way I still listen to Zeppelin and Sabbath albums.
I would take all the precautions, I'm going to bring my natural remedies, keep the mosquitoes away naturally and I'm going to bring my DEET. I'm going to do my part. And again, it's something, when a baby is involved you don't want to take any risks. So I would just exercise a lot of caution and do my part and then get tested and go for it.
There is a page in 'Diary of a Worm' in which the worm tells his sister that no matter how much time she spends looking in the mirror, her face will always look just like her rear end. Any girl that grew up with brothers can relate to the merciless teasing.
I keep a diary when I have time to. I always know that I'm either having a great time or I'm very busy when there are three weeks of nothing in my diary. But I like to look back because in ten years to the day I can know where I was and what I was doing, and that's a nice feeling.
My mother and father are big musical heroes of mine. I think it was because it was the first memories that I have of actually hearing music and falling in love with it and wanting to be a part of it in some way.
What I do, it's part of my job, but you want to bring your kids up the right way and give them everything - to be there for them and have that connection.
The poor are always prophetic. As true prophets always point out, they reveal God's design. That is why we should take time to listen to them. And that means staying near them, because they speak quietly and infrequently; they are afraid to speak out, they lack confidence in themselves because they have been broken and oppressed. But if we listen to them, they will bring us back to the essential.
I always kept a diary - not a diary like, 'Dear Diary, we got up at 5 A.M., and I wore the weird hair again and that white dress! Hi-yeee!' I'd just write.
Sometimes I listen to a beat and I think its so dope and I don't know what to bring to that. And some beats I listen to and I just love them as instrumentals and I listen to them when I'm riding around.
This is now the way our culture prioritises. Look up 'Steppenwolf,' and you'll get the band before the novel. Look up Jesus Christ, and you'll get the musical. Look up Princess Link-a-din and you'll get LinkedIn, the business-oriented social network.
It is a funny thing what the brain will do with memories and how it will treasure them and finally bring them into odd juxtapositions with other things, as though it wanted to make a design, or get some meaning out of them, whether you want it or not, or even see it.
When the Domaine Musical started up, I wasn't part of it. They were the major players in contemporary music at that time, braodcasting old and new composers' work. And I wasn't one of them.
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