A Quote by John Mayer

I've always said I've got the coolest fans, and I brag about you like grandchildren when I talk to other artists. — © John Mayer
I've always said I've got the coolest fans, and I brag about you like grandchildren when I talk to other artists.
That is one of the coolest things about WWE and wrestling in general. The fans have this very unique voice and this very unique power, and in no other sport and no other form of entertainment can the fans make their voices heard and it effect change.
What sets seersucker apart from other materials? It's the 'coolest' material to wear in hot and humid weather. 'Coolest,' as in temperature, and 'coolest' as in hip, baby! There is nothing like it.
People had an idea of what R&B artists or pop artists usually say, which was like, 'Talk about sex, talk about partying, and be positive; don't be too much of a downer.'
It's become this sort of strange competition about who's in the coolest place, who's in the coolest street. Suddenly we're having to engage with all those social pressures. It's helpful, I find, as a mother and a teacher, to say you've always got a choice.
I like the idea of the museum world and the university-academic situation where artists talk to each other or where artists or art students study with artists.
Someone asked me a while back, 'Why do artists always write about love?' And I was like, 'Love is the coolest thing that's ever happened in the world.'
It's like, "Women can't handle things because they're always sad. That's estrogen." Men brag about testosterone, which makes them completely out of control too. On the other end of things, it's like, "Oh it was just testosterone. He got in a bar fight." Why is that better than crying at work?
We've influenced other artists, and when younger generations become fans of those artists and hear about us, they discover our music too.
As a line I think you've always got to constantly talk. You talk about playing for each other.
I'm the only one that put out 200 songs, and [fans] listen to all of 'em. I don't care who you talk about down south, Boosie gonna win. I'm the only one to put out a whole album, with more songs, so I don't care who said what. The fans tell the truth. I got real fans - more fans than everybody, so Boosie gonna win.
Artists talk about art in sort of straightforward terms, more like the way you talk about plumbing fixtures. Does it function well? Does it bring the hot water up from the cellar efficiently, or does it lose too much thermodynamic energy in the process? Artists are also very ruthless with each other and can be very brutal in evaluating each other's work because their criteria is almost more mechanistic. Does it do what it's supposed to be doing in an efficient way? That doesn't mean that intention is not part of the conversation, but it's not the foreground.
I don't care who you talk about down south, Boosie gonna win. I'm the only one to put out a whole album, with more songs, so I don't care who said what. The fans tell the truth. I got real fans - more fans than everybody, so Boosie gonna win [in Hip Hop Survivor: Down South Edition.].
I've had Motley fans come up to me and talk to me about Motley. I've had other fans talk to me about all the backing vocals and the tapes. I just ask them, 'At the end of the day, did you have a good time?' That's it.
When we talk about contemporary art and contemporary artists, we usually imagine artists who are alive. But I feel very uncomfortable about placing a border between living artists and dead artists.
I'm a good old Yorkshire girl in that I don't like to talk about things that are on tick. As my nana always said, 'Until you've bought it, it's not yours,' so until it's signed on the dotted line, I don't like to talk about it.
There are roles I have said no to, but for different reasons. And, I never talk about those because I feel it's disrespectful to say, 'Oh, I said no to this project or that other project.' I'd rather talk about the ones that I said yes to and the reasons why.
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