A Quote by John Mayer

How dare you say it's nothing to me? Baby, you're the only light I ever saw. — © John Mayer
How dare you say it's nothing to me? Baby, you're the only light I ever saw.
Hannah expected this to make her sob even more, but instead she found her tears drying up and her tummy growing warm. How dare they? How dare they do this to little girls? She understood now why her parents go so angry when they saw the result of bombers in the white hot streets of the Middle East, why men and women wailed in anger as well as grief as they lifted the limp bodies of children from the rubble. How dare they? No, she wasn't going to die like this, wrapped up like some helpless baby.
To know how to say what other people only think, is what makes poets and sages; and to dare to say what others only dare to think, makes men martyrs or reformers.
Jake was close to tears. In that moment he saw the world in its true light, as a place where nothing had ever been any good and nothing of significance done: no art worth a second look, no philosophy of the slightest appositeness, no law but served the state, no history that gave an inkling of how it had been and what had happened. And no love, only egotism, infatuation and lust.
I was 18 and had an inverted light bulb moment where I thought that nothing I could do or say or how I looked was ever going to be good enough.
And I saw darkness for weeks. It never dawned on me that I could come out of it, but you heal. Nature heals you, and you do come out of it. All of a sudden I saw a crack of light ... then all of a sudden I saw another crack of light. Then I saw forms in the light. And I recognized that there was no darkness, that in darkness there'll always be light.
There is nothing so enervating and exhausting as this hopeless waiting. I dare say this is only a transition period. I will and shall have a victory some day. If the powers that be have shown me so little favor as to place me in this world and make me what I am, the result must be accordingly.
I love you. It hurts more than anything ever has, but I do. So don't you dare tell me I don't. Don't you ever say it again!
I was woundering what he would say, what word could sum me up right then, when i saw the lights come across his face, blaringly yellow, and suddenly he was brighter, and brighter, and i asked him what was happening, what was wrong. I remember only that light, so strong it spilled across my shoulders, and lit up his face, and how scared he looked as something big and loud hit my door, sending glass shattering across me, little sparks catching the light like diamonds, as they fell, with me, into the dark.
I say Gibson, we're old friends, and you're a fool if you take anything I say as an offense. Madam your wife and I didn't hit it off the only time I ever saw her. I won't say she was silly, but I think one of us was silly, and it wasn't me!
Nothing like one honest look, one honest thought of Christ upon His cross. That tells us how much He has been through, how much He endured, how much He conquered, how much God loved us, who spared not His only begotten Son, but freely gave Him for us. Dare we doubt such a God? Dare we murmur against such a God?
As to which is cuter, a puppy or a baby, I'm going to say that probably depends less on the particular puppy and more on the baby. I've seen pictures of me as an infant and consider myself lucky that nobody ever offered my parents the opportunity to trade me for a beagle.
But maybe a man was nothing but a man, which is what Baby Suggs always said. They encouraged you to put some of your weight in their hands and soon as you felt how light and lovely that was, they studied your scars and tribulations, after which they did what he had done: ran her children out and tore up the house. [...] A man ain't nothing but a man,' said Baby Suggs. 'But a son? Well now, that's somebody.
How dare you imprint on my baby? Have you lost you mind?
If you've ever been to a poetry slam, you know that the highest scoring emotion is self-righteous indignation: how dare you judge me. So in that way, the poem, 'What Teachers Make,' is an absolutely formulaic slam poem designed to allow me to get up on my soap box and say, 'Let me tell you what really makes me angry.'
Did you ever notice how many survivors they have? Did you ever notice that? Everybody - every time you turn around, 15,000 survivors meet here, 400 survivors convention there. I mean, did you ever notice? Nazis sure were inefficient, weren't they? Boy, boy, boy! ...You almost have no survivors that ever say they saw a gas chamber or saw the workings of a gas chamber...they'll say these preposterous stories that anybody can check out to be a lie, an absolute lie.
I remember standing on a street corner with the black painter Beauford Delaney down in the Village, waiting for the light to change, and he pointed down and said, 'Look.' I looked and all I saw was water. And he said, 'Look again,' which I did, and I saw oil on the water and the city reflected in the puddle. It was a great revelation to me. I can't explain it. He taught me how to see, and how to trust what I saw. Painters have often taught writers how to see. And once you've had that experience, you see differently.
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