A Quote by John Mayer

Today I finally overcame tryin’ to fit the world inside a picture frame. — © John Mayer
Today I finally overcame tryin’ to fit the world inside a picture frame.
The craft, the writing of a song, is about creating a story, a life story, a world within three minutes, but that's the frame, if you like, the picture frame. That fascinates me.
The directing of a picture involves coming out of your individual loneliness and taking a controlling part in putting together a small world. A picture is made. You put a frame around it and move on. And one day you die. That is all there is to it.
Film was very expensive, so you couldn't waste a single frame. This meant spending time with the subject, getting to know them and finally, getting that one great picture.
That's what I'm tryin' to achieve. I want to be a heavyweight in this game, and I'm tryin' to get the big money. By the same token, the title 'Big Money Heavyweight' applies to everybody in the world. That's what everybody's tryin' to achieve.
If life is envisioned as a continuously running motion picture, the keeping of a notebook stops the action and allows a meaningful scene to be explored frame by frame.
I think about photographs as being full, or empty. You picture something in a frame and it's got lots of accounting going on in it-stones and buildings and trees and air - but that's not what fills up a frame. You fill up the frame with feelings, energy, discovery, and risk, and leave room enough for someone else to get in there.
Freedom for me is a strict frame, and inside that frame are all the variations possible.
The systems of stereotypes may be the core of our personal tradition, the defenses of our position in society. They are an ordered more or less consistent picture of the world, to which our habits, our tastes, our capacities, our comforts and our hopes have adjusted themselves. They may not be a complete picture of the world, but they are a picture of a possible world to which we are adapted. In that world, people and things have their well-known places, and do certain expected things. We feel at home there. We fit in. We are members.
Almost inevitably there are tensions in the picture, tensions between the outside world and the inside world. For me, a successful picture resolves these tensions without eliminating them.
Frame in terms of what you want to have in the picture, not about making a nice picture, that anybody can do.
You need a continuous picture of how things are evolving, and not a slow series of snapshots where you don't know how frame A is related to frame B.
I think I finally overcame my self-esteem and confidence issues at around 20.
I'm always tryin' to do something new, tryin' to look like a beginner.
I respect anybody that's doin' their thing, and doin' better than I'm doin, or at least tryin'. I really don't need to hate on the next person. We're all just tryin' to get one thing at the end of the day, everybody's tryin' to get money and be successful, and just enjoy what they do.
The clothes back in those days were made so much better than clothes are today. They actually took time to make clothes to fit a woman's body. Today they make clothes that fit sizes, so it stretches to fit this and that.
Pictures could not be accessories to the story -- evidence -- they had to contain the story within the frame; the best picture contained a whole war within one frame.
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