A Quote by John McGahern

I'd much prefer to write more quickly. — © John McGahern
I'd much prefer to write more quickly.
I write very quickly; I rewrite very slowly. It takes me nearly as long to rewrite a book as it does to get the first draft. I can write more quickly than I can read.
I don't really do much social media. I just don't like it that much. I've trained myself to write very slowly for a lot of money so it really galls me to write quickly for free.
I write slowly. I actually write quickly, but I throw out so much material.
I do read very, very quickly. I do process data very quickly. And so I write very quickly. And it is embarrassing because there is a conception that the things that you do quickly are not done well. I think that's probably one of the reasons I don't like the idea of prolific.
More and more I like to take a train. I understand why the French prefer it to automobiling it is so much more sociable, and of course these days so much more of an adventure, and the irregularity of its regularity is fascinating.
Some people write heavily, some write lightly. I prefer the light approach because I believe there is a great deal of false reverence about. There is too much solemnity and intensity in dealing with sacred matters; too much speaking in holy tones.
I don't write quickly or a lot. Well actually I write quickly, but I don't have a store of things. I will wait for that erotic moment - like the one which struck me when someone said "have you ever heard of Kester Berwick?"
Coming from bad results, you have more tension and you get more into the game, maybe. You never know which is best. I prefer to come from good results. You have more confidence and you believe you are doing things well. But in football everything can change very quickly.
I realized over the years if I'm writing about humor, irony, satire, I much prefer to do that in English. And if there is sorrow, melancholy, longing, I much prefer to do that in Turkish. Each language has its own strength to me, and I feel connected and attached to both Turkish and English. I dream in more than one language.
Watch what happens on Twitter. One thing leads to another very quickly. And in an ironic sense, even though it's such a democratic form of communication, there's a funny way in which it leads to a hardening of a conventional wisdom much more quickly than might happen if you were reflecting on it a little more.
Write quickly and you will never write well; write well, and you will soon write quickly.
I write weird stories. I don't know why I like weirdness so much ... But when I write, I write weird. That's very strange. When I'm getting more and more serious, I'm getting more and more weird.
You can keep counting forever. The answer is infinity. But, quite frankly, I don't think I ever liked it. I always found something repulsive about it. I prefer finite mathematics much more than infinite mathematics. I think that it is much more natural, much more appealing and the theory is much more beautiful. It is very concrete. It is something that you can touch and something you can feel and something to relate to. Infinity mathematics, to me, is something that is meaningless, because it is abstract nonsense.
It's so much easier to write for a person in your life than to write for some imagined readership, so you write something that's more intimate and true.
In dialogue scenes, my favorite moments are when people aren't talking because you can cut to the heart of the matter much more quickly, often with a look. People hide things in words. When you don't have words to hide things in, it becomes much more direct and much more immediate of a connection.
I definitely think men prefer women more undone and natural than butch and masculine. They prefer a fresher, sexier, more feminine look.
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