A Quote by John McGahern

I love the description of Gothic churches before the printed word, that they were the bibles of the poor. — © John McGahern
I love the description of Gothic churches before the printed word, that they were the bibles of the poor.
The rosary was said every evening. I always liked that sentence about the medieval Churches, that they were the Bibles of the poor. The Church was my first book and I would think it is still my most important book.
I hate the word gothic but I would like to try doing something like that. A gothic sound, not rock, but gothic. There's a difference.
We often sometimes forget that- prior to the invention of removable pipe- there really were no English Bibles. We have treasures, we have Bibles in every size and shape and color. But there's a failure to recognize what's contained inside the cover of the Bible. We grow apathetic, and I think that the issue is reacting to the Word of God. Not just carrying, but get back into the Word of God and then get the Word of God into us. It's all about mining the scripture, memorizing the scripture, and meditating with our scripture.
The churches that are growing and thriving are churches that I would call evangelical and orthodox for the most part in their beliefs. They are churches that tend to evangelize ... and encourage their people to share their faith. These are the churches that are actually growing. The ones that are shrinking are the ones that are compromising and watering down what the word of God says.
There is more Bible buying, Bible selling, Bible printing and Bible distributing than ever before in our nation. We see Bibles in every bookstore - Bibles of every size, price and style. There are Bibles in almost every house in the land. But all this time I fear we are in danger of forgetting that to HAVE the Bible is one thing, and to READ it quite another.
If to do were as easy as to know what were good to do, chapels had been churches, and poor men's cottage princes' palaces.
Photographs have the kind of authority over imagination to-day, which the printed word had yesterday, and the spoken word before that. They seem utterly real. They come, we imagine, directly to us without human meddling, and they are the most effortless food for the mind conceivable.
Even at the beginning when I arrived at Givenchy, there were certainly people who supported me, but not everyone loved me. They were saying, "Why an Italian who acts Gothic?" Never mind the fact that Italy is one of the main exhibitors of Gothic art in the world. But it was like, "No, Italians should only do sexy!"
Nico was gothic, but she was Mary Shelley gothic to everyone else's Hammer horror film gothic. They both did Frankenstein, but Nico's was real.
Each of those churches shows certain books, which they call revelation, or the Word of God. The Jews say that their Word of God was given by God to Moses face to face; the Christians say, that their Word of God came by divine inspiration; and the Turks say, that their Word of God (the Koran) was brought by an angel from heaven. Each of those churches accuses the other of unbelief; and, for my own part, I disbelieve them all.
I see apostasy in many ways occurring in Evangelical churches that really aren't teaching the truth of God's word. I do believe that some churches have become entertainment centers and a teaching a type of prosperity Gospel rather than teaching God's word.
I loved fairy tales when I was a kid. Grimm. The grimmer the better. I loved gruesome gothic tales and, in that respect, I liked Bible stories, because to me they were very gothic.
E have men sold to build churches, women sold to support the gospel, and babes sold to purchase Bibles for the poor heathen, all for the glory of God and the good of souls. The slave auctioneer's bell and the church-going bell chime in with each other, and the bitter cries of the heart-broken slave are drowned in the religious shouts of his pious master. Revivals of religion and revivals in the slave trade go hand in hand.
With 'The Keep,' I began with a theory about pitting the isolated disconnection of the gothic realm against present-day hyperconnectedness. I emerged feeling that the gothic genre is all about hyperconnectedness - the possibility of disembodied communication - and that we now live in a kind of permanently gothic state.
Spoken language's elaborate rhythms and inflections convey more meaning per word than the printed word.
I knew words were like chains, they held me back . . . the act of description taints the description.
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