A Quote by John McGahern
When I start to write, words have become physical presence. It was to see if I could bring that private world to life that found its first expression through reading. I really dislike the romantic notion of the artist.
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You can sort of start to write around 10. You also become a good reader around that time, and you want to imitate the thing that you love. I got praise for it, and then I found that it was a great way of translating my life, so I would write little stories and plays and things. At that point, it was kids' books that I was reading.
It is a distortion of the notion of romantic love to want to see obedience as the quintessential expression of respect.
I love physical movement. Dance was my favorite thing, and I was a gymnast. I find that expression through movement is easier, in some ways, than expression through words.
I can always tell when I'm about to start writing. I go through cycles in reading. When I'm beginning to start to write something, I start reading what I think of as good literature. I read things with wonderful language.
One of the lessons from Sept. 11 is that America requires a long-term presence in those parts of the world that endanger us. This notion has become controversial, but frankly, the need could not be clearer.
For instance, I may bring a certain feminist perspective to my songwriting, because that's how I see life. I'm interested in art, poetry, and music. As that kind of artist, I can do anything. I can say anything. It's about self-expression. It knows no package - there's no such thing. That's what being an artist is.
I always look at the motives behind each scene. You can play that out tonally with how you express yourself or you can do that with your physical expression, your physical presence. So I always think about what physical presence I want to embody in each scene.
I found him perhaps the least terrifying man I've ever met in the theater—because at first glance I could see through him and he could see through me, and he knew that I knew that he knew. Look, love, I've been bullied all my life by bigger experts than Larry Olivier, I can assure you, and he's just got to get in line.
In some ways, I don’t feel as if I had a choice. Looking back at my childhood, even before I could read and write, I was making up stories. I love reading and I love telling stories, and the times in my life when I’ve tried to ignore that part of me, I’ve gone a little crazy. Characters start tugging on my sleeves, words start haunting me, and I feel generally unsatisfied. Really, being a writer sounds more like a mental illness than a professional choice.
Through reading, I escaped the bad parts of my life in the South Bronx. And, through books, I got to travel the world and the universe. It, to me, was a passport out of my childhood and it remains a way - through the power of words - to change the world.
I used to write on pads with a pen but had trouble reading the words the next day. Years later, Bob Dylan taught me to just write and write on a laptop computer. Then I'd print that out. When it was time to write a song, I'd go through the pages and sing melodies to words that moved me.
Everything that you see before you with your physical eyes is an illusion. In other words, you are not seeing correctly. Life is made up of light. But if you are only looking through the senses, it seems solid and physical.
The world without spirit is a wasteland. People have the notion of saving the world by shifting things around, changing the rules, and who's on top, and so forth. No, no! Any world is a valid world if it's alive. The thing to do is to bring life to it, and the only way to do that is to find in your own case where the life is and become alive yourself.
The only time I felt I was different was when one of my friends said, 'I hate reading' and I stared at her like, 'What kind of an alien creature are you?!' Because it was so incomprehensible to me that someone could dislike reading! That really started my desire to help other children love reading and writing.
I remember when I was in graduate school and someone in workshop would say, 'I'm going to bring in a chapter of my novel.' The thought that someone could think they'd write a whole long thing... I could only see twelve pages ahead. But then I realized that if you could see twelve more after that, you can start.
My books are love stories at core, really. But I am interested in manifestations of love beyond the traditional romantic notion. In fact, I seem not particularly inclined to write romantic love as a narrative motive or as an easy source of happiness for my characters.
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