A Quote by John McLaughlin

When the music arrives in my mind, it gives me the direction and the form at the same time. It's integrated into the music itself. — © John McLaughlin
When the music arrives in my mind, it gives me the direction and the form at the same time. It's integrated into the music itself.
Music is my life. Music runs through my veins. Music inspires me. Music is a part of me. Music is all around us. Music soothes me. Music gives me hope when I lose faith. Music comforts me. Music is my refuge.
Music, to me, is the most beautiful form, and I love film because film is very related to music. It moves by you in its own rhythm. It's not like reading a book or looking at a painting. It gives you its own time frame, like music, so they are very connected for me. But music to me is the biggest inspiration. When I get depressed, or anything, I go "think of all the music I haven't even heard yet!" So, it's the one thing. Imagine the world without music. Man, just hand me a gun, will you?
People weep at music all the time, because music gives form to some abstract level of integration.
I have a rule with my managers that unless it's someone big time, just tell me where I'm going and I'll see who it is at the studio at the time. I don't like thinking about it, it gives me anxiety. I like to keep a clear mind; its music, just music.
Jazz goes into folk music, into rock music. Jazz is in practically everything except classical music where they're reading the same music all the time, the same way, the same tempo every night.
A book, at the same time, also has to do with what I call a buzz in the head. It's a certain kind of music that I start hearing. It's the music of the language, but it's also the music of the story. I have to live with that music for a while before I can put any words on the page. I think that's because I have to get my body as much as my mind accustomed to the music of writing that particular book. It really is a mysterious feeling.
In my opinion, everybody has the same soul from God and we are united by that. Outside, our bodies are different, our faces are different, but inside we are all the same, we share the same feelings of sadness, love, pain My music comes out of these feelings. Whether it is Japanese music, African, Qawalli, or any other form of music, if it touches your heart it becomes important for me.
It's great to see Latino music coming to the mainstream, but at the same time, there are also a lot more styles to explore: African music, Indian music, Chinese music.
When we made that album with Gary Moore, I was still kind of searching for the right direction for myself. Although the music is quite good the direction was like a box of fireworks that caught light all at the same time.
The scarcity of the music not only makes the music itself enjoyable but it also gives the collector a strange sense of superiority.
Music is the purest form of art, and therefore the most direct expression of beauty, with a form and spirit which is one and simple, and least encumbered with anything extraneous. We seem to feel that the manifestation of the infinite in the finite forms of creation is music itself, silent and visible.
You have a history of art-music that you equate with music. That's what I love about that term art-music. It separates itself from music-music, the music people have always made.
In so many areas, when you think about it, you never really see an actor cross over to music. It always music to acting and it's receivable because when music gives a form of entertainment of art to where it's very personable, it's a passion, it's an intimate type of art to when you hear it, it's them.
I'd been making music that was intended to be like painting, in the sense that it's environmental, without the customary narrative and episodic quality that music normally has. I called this 'ambient music.' But at the same time I was trying to make visual art become more like music, in that it changed the way that music changes.
I wasn't making music for the sake of music but rather making music in the context of other music. At the same time, it doesn't mean I'm not going to try and do that some day.
We are living in a period in which many people have changed their mind about what the use of music is or could be for them. Something that doesn't speak or talk like a human being, that doesn't know its definition in the dictionary or its theory in the schools, that expresses itself simply by the fact of its vibrations. People paying attention to vibratory activity, not in reaction to a fixed ideal performance, but each time attentively to how it happens to be this time, not necessarily two times the same. A music that transports the listener to the moment where he is.
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