A Quote by John McLaughlin
The moment you start to talk about playing music, you destroy music. It cannot be talked about. It can only be played, enjoyed and listened to.
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I can't be enthusiastic as soon as I write something on the music sheet. The music sheet is only the beginning: it has to be listened to, played by the instruments, and then heard by the director, but most importantly, it has to be listened to by the public.
When I started writing again, especially when I listened to French music and Bob Dylan and Leonard Cohen, I realized that these lots talked about themselves. The greatest artists, they didn't sing; they only spoke.
My playing music is strictly for fun. When I was in a band, I was really excited to talk about it since I had never really played music to that extent. It was never meant as something I would consider as anything more than having fun with my friends. But I think I would enjoy writing music for the movies that I'm working on.
I always heard my dad talk about playing music right through till the end. He may have talked in the early 90s about how he was ready to get off the road. But retirement, for my dad wasn't part of his make-up.
When I was a kid, I liked the newer music that was coming out. I have never really felt confined by any style of music. I would play in bands that were soul bands or that played standards - any kind of music that I enjoyed playing.
I have a structured songwriting process. I start with the music and try to come up with musical ideas, then the melody, then the hook, and the lyrics come last. Some people start with the lyrics first because they know what they want to talk about and they just write a whole bunch of lyrical ideas, but for me the music tells me what to talk about.
Naturally, no one knows more about music than musicians. They talk about their own work all the time, but they rarely get to talk about other people's music.
I love to talk about the drums and music. I started playing drums when I was probably six and played a lot until I was about ten or eleven years old. So, I guess five or six years where I played. I had a drum set at home, and I would just bang on it. I'd even go on the Internet and study basic beats and so forth.
I started playing music when I was 18. My heart was just broken so badly that I decided that I really wanted to start playing music. It felt like the only thing that I could do in response to that. And I've been playing ever since.
The way I work on music is that I go into my studio, and I start playing music, and I see what happens, and... I never think about it.
You can learn to write. But what you write is something that depends on your taste and on your vision or whatever. Also, of course, the music I listened to inspired my idea of music. When people ask me "Where's your inspiration? Where does it come from?" I have no idea. Music is about music. Not about life and love.
When we talk about music, we talk about our reaction to it. One person might say that music is so poetic, while another says it's all mathematics. Yet another might say it's about sensuality, and so on. That's all true. But music is not just one of these things. It's everything all at once.
If you're in music, you're in music, and if you're in music you just want to keep making records and playing. That's what it's about, isn't it? At least, that's what I always thought it was about, anyway.
I was interested in a whole range of music that I used to play, popular music -- particularly American music -- that I heard a lot of when I was a teenager," "I think at a certain point it dawned on me that myself playing this music wasn't very convincing. It was more convincing when we played music that came from our own stock of tradition. ... I certainly feel a lot more comfortable playing so-called Celtic music.
My family was always playing music; I always enjoyed it. My cousin, who is a little older than me, he started playing music, so I wanted to, also. I asked my dad for a guitar, and he got me a banjo, so that was my introduction to playing. I played it like a guitar. I had a few lessons, learned out a few chords, and figured it out right away.
For me music is central, so when one's talking about poetry, for the most part Plato's talking primarily about words, where I talk about notes, I talk about tone, I talk about timbre, I talk about rhythms.
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