A Quote by John McLaughlin

One of the advantages of playing in a club is that even with bass and drums, the atmosphere remains intimate with the audience. — © John McLaughlin
One of the advantages of playing in a club is that even with bass and drums, the atmosphere remains intimate with the audience.
The bass and drums are the engine, and the key to good bass playing is it's not what you play, it's what you DON'T play that counts. You leave the spaces, they're more important than anything.
The hardest instruments for women to play are bass and drums. Drums because of the physicality needed and bass just because its heavy and it's not an easy instrument to play.
I've always been playing with other people, and that's how I learned. I got a kit of drums I couldn't play, but I also knew a guitarist and a friend of mine played bass and could teach us bass, and we just played. And I learned.
I think that where it came from and the initial birth of it - it did come out of a jam at Bruno's studio, you know? He was playing drums. And Jeff Bhasker, who co-produced the record with us, is on synths, and I was playing bass.
As a rock band, you're slightly one foot in the past, playing instruments like guitar, bass and drums.
I've been into music for a long time. I started playing drums when I was 8 and piano when I was 10, then bass and guitar when I was 18.
There's something about rhythm and bass sections generally, how the bass and drums interact, that's basically the soul of any song.
My family is all musicians - my dad plays drums, my mom plays flute, my older brother plays drums, my little brother plays drums and piano. For some reason, I didn't get the memo, so I just play bass.
I've been playing guitar since I was 6 and then drums, bass, and piano since I was 10 years old.
From the very beginning, I had a lot of female role models in music. I would go to shows, and there were always women fronting bands and playing guitar or backing up and playing drums or bass in a band. That probably contributed to my belief in myself to go out and perform for people.
People make their life really hard. It was as simple as this: My parents went to church. My grandfather was a bishop. My mom sang in the choir, my dad played the keyboard, and my uncle played the drums. I was into playing the drums, so I played the drums a lot for my uncle, and it got to the point where I was pretty nice at playing the drums. And he let me play every Sunday so, to me, going to church was fun.
I hate playing the bass, bro. I've been playing the bass because it's there and I don't want anyone else to play it.
I love playing the drums - I really get a lot out of it - but I don't think I'm a good enough drummer to be playing live drums on all 10 tracks on my album.
I am the audience. I want to observe people. Even when I'm playing drums onstage, I'm watching people. I'm looking at them and their faces and their T-shirts and their signs. And travelling by motorcycle, especially, the world is just coming at me.
The Cottage was one of my favourite stadiums to play in. It was such an intimate atmosphere, and I've just got so many great memories of playing there.
Playing drums or music, being a musician, is inside of you. So you would always see me tapping on something, playing on tables... I never felt the need to pull out drums.
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