A Quote by John McLaughlin

I discovered flamenco when I was 14, before I even got involved with jazz music. I was so crazy about flamenco music. I wanted to be a flamenco guitar player. — © John McLaughlin
I discovered flamenco when I was 14, before I even got involved with jazz music. I was so crazy about flamenco music. I wanted to be a flamenco guitar player.
The flamenco of the Gypsy has nothing to do with the flamenco for tourists. Real flamenco is like sex.
Robby had a flamenco and folk music background. I was so enamored with watching Robby's fingers crawl across the flamenco guitar strings like a crab.
Flamenco was probably the first music that I may have heard as a baby, because my father played flamenco.
Flamenco is connected with so many types of music. It has Jewish culture inside, Arabian culture inside, Russian culture inside, Spanish culture inside. It's linked to African music too, because African music has the 'amalgama' rhythms you can find in flamenco. You can find everything in flamenco. That's why it's so beautiful.
I feel like flamenco is part of this Latin music culture. It's from Spain, but flamenco has always been connected to Latinoamerica.
My music pulls from flamenco plenty; it wouldn't make sense without that genre. I also have a lot of love for flamenco and I'm very happy if I can be an ambassador for it.
As far as current inspiration, I'm listenting to a lot of flamenco, because the techniques used for flamenco can be adapted to playing bass.
I grew up with a strong Spanish influence. I tried to learn flamenco when I was younger. But it's like my teacher said: 'It takes a lifetime to learn flamenco.'
I am rooted in flamenco. At 13, I fell in love with it, but I couldn't sing it. To sing flamenco is like being a kind of opera singer. You have to learn how.
When I came to the States, I still wanted to be an electric guitar player. But moved to Santa Fe in '86. And just decided that nylon string guitar is really what I wanted to do... And that really change my life totally as well... And Santa Fe is one of those really unusual places that is such an interesting mix of culture. There is a lot of from restaurants to music... I remember one of the first groups I saw playing there in the back of a restaurant, was a banjo player, a classical violinist, and a flamenco guitarist. And I thought to myself, "What? You know, this is great."
I love classical music, but I hated classical guitar. But I like flamenco, because there was something else there going on. It wasn't just the notes being thrown at you. And there were certain kinds of jazz that I really liked and other kinds that just went right over my head.
Flamenco is the reflection of the street. It's that thing that's so beautiful, that comes directly from the people. It has so much truth, tragedy, falling in love, falling out of love, flamenco has it all. You can learn so much, that's why it's so incredible and so beautiful.
My music would make no sense without flamenco.
Flamenco is the most honest and visceral music. You have to be sincere when you sing it. If you're not, it doesn't work.
There were a lot of different styles in the house - Motown, Led Zeppelin, Rolling Stones, jazz - and my dad played flamenco guitar. Soon I realized that bass was what was really grooving me.
It is very important that people understand how important flamenco is to the Gypsy community. There have been some amazing Gypsy artists. It's important that we give visibility to that, but at the same time people have to be fair and recognise that Paco de Lucia was the biggest guitar player in this style of music in the world and he wasn't Gypsy.
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