A Quote by John Mellencamp

Bob Dylan's first couple of records in the 60's weren't considered cover records, but he only wrote one or two original songs on each album. — © John Mellencamp
Bob Dylan's first couple of records in the 60's weren't considered cover records, but he only wrote one or two original songs on each album.
I have lots of records, quite a collection, actually, that I stole from my mom. I have the original 'Thriller' album and I have a really great 'Elton John's Greatest Hits,' and I also have a N.E.R.D. album. Records sound more original. They have more edge.
Bob Dylan seems to me a totally pernicious influence - the nasal whine of death and masochism. Certainly, this would be a more cheerful world if there were no Dylan records in it. But Dylan and his audience mirror each other, and deserve each other; as Marx said, a morbid society creates its own morbid grave-diggers.
The "Highway 61" album [of Bob Dylan] was produced by Bob Johnston if I'm not incorrect. And Bob Johnston was an entirely different producer than Tom Wilson. Tom Wilson had produced jazz records and was a Harvard educated.
My dad would play me all of these records: Miles Davis records, John Coltrane records, Bill Evans records, a lot of jazz records. My first exposure to music was listening to jazz records.
Bob Dylan is quite a songwriter, and a great singer and musician. I won't bother with comparing myself to him, but I will say that I heard his records at a very young age and I still listen to all his records.
A brilliant 1989 album, Oh Mercy; some career retrospectives; and two albums of American folk songs, with just Bob Dylan and his guitar and harmonica. All that culminated in the Grammy-winning comeback album, Time Out of Mind (1997). Once again, just as Dylan seemed to be out of it, he was back at the top of his game.
We started making independent records. We started in '94 until about 2000 when just kind of just did it ourselves... We'd write our own songs. No one cared... At some point, we decided to try and write our own original stuff and one of the last independent records is when we wrote the song 'I Can Only Imagine.'
Bob Dylan continues to release odd and unsettling records, and to do odd and unsettling things on stage. So the term "still" seems meaningless to me. But the real answer is simple: I listen to Bob Dylan for pleasure more than I listen to anyone else for pleasure.
Bob Dylan continues to release odd and unsettling records, and to do odd and unsettling things on stage. So the term 'still' seems meaningless to me. But the real answer is simple: I listen to Bob Dylan for pleasure more than I listen to anyone else for pleasure.
I've done two albums for Concord Records; one was with Al Jarreau and it did very well for us. The second album was called 'Songs And Stories,' and it had good songs and good performances, but I promised them I would do an album that was more jazz-oriented.
A lot of people make records where there are a couple songs worth listening to and you skip through the rest, and I don't want to do that because those records bore me pretty bad.
My favorite Bob Dylan record is the very first one where he sings one Bob Dylan song and the rest of them are his interpretations of the Dust Bowl-era folk songs, or even going back as far as the mass influx of people coming into the U.S. during the gold rush. His interpretations of those songs are incredible.
I love Bob Dylan. 'Blood on the Tracks' is one of my top five records.
When I discovered Bob Dylan and Leonard Cohen, I could explore the records that inspired me on a different level and that led me to Joni Mitchell, who is maybe my favorite of all time, and Warren Zevon. Those artists that wrote the lyrics that you try for.
Second records aren't usually very good. Even Bob Dylan's was a bit disappointing.
I heard Pete Seeger records when I was a kid. I saw Bob Dylan when I was about 12. The first song I ever learned to play was a song by Phil Ochs.
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