A Quote by John Mellencamp

A lot of record company people, even though they're our age, want to be perceived as young hip guys, and they're hurting the business. — © John Mellencamp
A lot of record company people, even though they're our age, want to be perceived as young hip guys, and they're hurting the business.
I feel like a lot of artists, when they're on their fourth record, they're perceived as the old guys. At least in this day and age. I like that people perceive us as just getting started because that's how we perceive ourselves.
I would like to see more airplay for all artists, no matter what age. I think there's a lot of money being spent toward the young guys, but a lot of the older guys are the ones who blazed the trail for those young guys.
I want to learn something from my atheistic brothers and sisters, even though I'm a Christian. I want to learn something from my right-wing brothers and sisters, even though I'm a progressive. I want to learn something from the elderly, even though I'm middle-aged or tilting toward the elderly. I want to learn especially something from the youth. That's why I spend a lot of time in hip-hop studios.
If I want to do an orchestral record, if I want to do an acoustic record, if I want to do a death-metal record, if I want to do a jazz record - I can move in whichever direction I want, and no one is going to get upset about that. Except maybe my manager and my record company.
When we don’t forgive, we’re not hurting the other person. We’re not hurting the company that did us wrong. We’re not hurting God. We’re only hurting ourselves.
Seventeen's not so young. A hundred years ago people got married when they were practically our age." "Yeah, that was before electricity and the Internet. A hundred years ago eighteen-year-old guys were out there fighting wars with bayonets and holding a man's life in their hands! They lived a lot of life by the time they were our age. What do kids our age know about love and life?
I've been friends with the guys in Radiohead for a lot of years, and I watch the way those guys work with incredible envy. Because whatever the slings and arrows of dealing with the record business, at the end of the day, they have total creative autonomy. They don't need a lot to do what they do, and Thom [Yorke] and Jonny [Greenwood] and the guys have their own joint in their hometown.
I certainly never doubted the ability for the guys to get together and make good music, but there was so much legal business with the record company that it ended up being like five albatrosses around our neck.
Even though hip-hop started as a battle format, different artists appeared on each other's records or hung out in the same clubs, supporting each other. That was a profound influence. Also, hip-hop, to me, represents limitless possibility. Hip-hop is always evolving. People say, "Oh, it's a very commercial thing, it's too R&B." But in six months, a record is gonna come out that will completely change that.
When I was CEO, and I'd listen to music, a lot of people listen to music and you get inspiration from it. And a lot of things in hip hop are very instructive for being in business. Particularly, hip hop is a lot about business, and so it was very useful for me in any job.
From the business point of view, always encouraging the people in our company to own stock in the company, and if we're going to build something great, to have a lot of people share in the benefits of that greatness.
Im just trying to be positive. I like the guys (Im) around. Even though were not at the record Id like to be, even after a loss, guys are mad, but then we have fun and you move on. They look up to me. Ive been around eight years. A lot of these guys were in junior high or high school when I came into the NBA. I see how much of an influence I am off the court. I try to be careful how I approach things on and off the court, because I know these guys are watching.
In my business, guys may age, but it's not even a question they're valued. But women my age are supposed to disappear.
While a lot of hip-hop was inspired by jazz or James Brown samples and was made to be played live in the clubs, I made hip-hop that was made for MCs to eat the mic up. It was an aggressive form of hip-hop. It was made just for hip-hop. It's not made to sing or dance to, though you can if you want.
I want one of the top three, but if they aren't available, we'll pick someone else. There are some good young fighters, undefeated guys, and guys with wins and losses on their record.
More than half of all the hip hop record sales are white people, and I think that might be a result of my record helping people to accept hip hop.
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