A Quote by John Mellencamp
My task with 'Uh-Huh' was to make a more even record and get away from juvenile topics like 'Hurts So Good.' But I also knew if I wanted to continue, I had to have more hits.
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However, I have never clogged myself with the praises of pastoral life, nor with nostalgia for an innocent past of perverted acts in pastures. No. One need never leave the confines of New York to get all the greenery one wishes—I can’t even enjoy a blade of grass unless I know there’s a subway handy, or a record store or some other sign that people do not totally regret life. It is more important to affirm the least sincere; the clouds get enough attention as it is and even they continue to pass. Do they know what they’re missing? Uh huh.
It wasn't just like, "I want to make a record that sounds like classic rock" at all. It was more like, "I want to make a record that is a little more unsettling and maybe isn't as easily understood now." That just seemed more important, like, for me to make as an artist, than it was to make something to make people feel safe right away.
There were lots of songs that were on 'It Still Moves' that I had written, and we had played - rehearsed, but also played live a couple of times - that could've gone on 'At Dawn', but we always knew we wanted to make a record that was more quote-unquote 'rock n' roll.'
And I felt more like me than I ever had, as if the years I'd lived so far had formed layers of skin and muscle over myself that others saw as me when the real one had been underneath all along, and I knew writing- even writing badly- had peeled away those layers, and I knew then that if I wanted to stay awake and alive, if I wanted to stay me, I would have to keep writing.
For me, each of SNSD members is like my own body. If one gets hurts or hears bad things from someone else, it hurts me and pains me even more. And you know, it's impossible for only good things to happen to someone, so there will always be difficult and hurtful times; but during these times, I'm thankful that we're each other's supports and each other's strength. I hope in the future, we'll continue to lean on each other and be strong for each other. Also, when we need encouragement, we'll continue to look for each other too.
I had a sister who died and my mother passed away. I know that grief comes in waves. When deep grief hits, I know that it hurts like hell, and then you get a little bit of a respite, and then it comes back, and it hurts like hell. I know it can be survived.
but it wasn't just about my feelings. The more I got to know you, the more I was certain that you'd do whatever it took to provide for your family. That was important to me. You have to understand that back then, a lot of people our age wanted to change the world. Even though it's a noble idea, I knew I wanted something more traditional. I wanted a family like my parents had, and I wanted to concentrate on my little corner of the world. I wanted someone who wanted to marry a wife and a mother, and someone who would respect my choice.
When I'm making songs, I never call them hits. I knew 'Bandz A Make Her Dance' was a good record, but I never knew it was gonna be a hit.
There is no advantage getting older. You don't get smarter, you don't get wiser, you don't get more mellow, you don't get more kindly, nothing good happens. Your back hurts more, you get more indigestion, your eyesight isn't as good, you need a hearing aid. It's a bad business getting old and I would advise you not to do it if you can avoid it. It doesn't have a romantic quality.
If people knew what made hits they'd make more of them, so to have the illusion of control over one's career isn't something I can even pretend to have.
I just wanted to make more of a lifestyle record instead of anything else. I wasn't trying to do anything mainstream or nothing like that. I wanted to speak on this time period where I was fed up with a couple things and I had an idea of what I wanted to do.
Let me get one thing straight; I'm not an authority on sex, I'm more of a fan. I think sex is nice; no family should be without it. Of course, there are other things that are just as important as sex, like uh . . . like uh . . . like . . . uh . . . well, I'll think of it later.
Listen, when you take my liberty away, you've taken away more-something more precious than life. I mean, what good is a life without liberty? Huh? None.
Well, the most important thing in choreographing for a specific tune is to get the story line and try to make your movements, rather than just actual movements, let them become more or less a physical drama to, to what they were singing about. And uh, also, uh, honor the beat and the rhythmic pattern of the musical track.
I wanted to make a reggaeton record. So I sent the record to Ozuna, and he killed it. Then I felt like I wanted to add a more female vibe but still keep some Spanish touch, so I asked Selena and Cardi, and it all came together.
When I left college, it broke my mom's heart, but I knew I had to be in Nashville. I knew that was the place you had to be in to become a better songwriter, and that's what I wanted to move there for and to ultimately get a record deal.
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