Every record has been very different, so I can't really compare them. The first record was good. I originally recorded about half the songs on that one in 2003 or something, and then I went back a few years later and re-recorded them and added some other songs.
My dream many years ago would've been to continue to write and record songs in record/album form for years to come, but now records aren't what they were then - and so it doesn't actually feel very good to make a record of songs.
The first songs I made brought me to the Grammys. I was a five-times nominated teenager off voice memos and songs that were clearly recorded off different mics.
If you are speaking about my own songs, I would think so because we were talking about that particular era and I was singing one of my songs that I recorded 50 years ago.
Greg Trooper writes great songs, including one of my very favorite songs in the world, Little Sister. On top of all that, there's his voice - an instrument I have coveted for 15 years.
I think that the most significant, guiding principle was that we wanted to return to a three-piece live form, whereas we became a four-piece for the last record because the songs had more extensive arrangements and we needed a keyboard player to pull off a lot of those songs. We missed the energy, and more push-and-pull of the three-piece.
The first record we made, we recorded and mixed in a day. The second record was recorded and mixed in a week. The third was recorded and mixed in a month, and 'New Wave' was mixed and recorded in six months. It was an epic project.
You just can't win. Men have very recent land mines in their heads. Women have recorded conversations and photographs in their heads from 15 years ago.
If you went to your closet today, would you pull out the same outfit you wore 10 or 15 years ago? You wear feelings and faith differently as well.
You know, when you're making a record, you come up with 15, 20 songs. Then they start to fall by the wayside as your interest wanes. It's kind of like a process of elimination to determine which songs wind up on the record.
It's not that I always had this impeccable voice. Some 15-18 years ago, I started noticing that I could not reach higher octaves.
With my songs, the question is always, 'Can you pull it off live, alone on just an acoustic guitar?' That's the litmus test. If I can, then it's a song I ought to record. If I can't, it's probably not good enough.
The last 15 years, there has been no recorded warming. Contrary to all the theories that they are expounding, there should have been warming over the last 15 years. It hasn't happened.
Ten years ago, 15 years ago, I think the church would have been asleep at the switch. This level of activism and engagement with the needs of society by local churches I never thought I'd see it in my lifetime.
I decided a handful of years ago that I just want to write songs that you can understand as soon as you put the record on. There's no need to veil what's happening in the song the way I used to.
After 15 years of singing the same 12 to 15 songs every night, it can become monotonous.