A Quote by John Mellencamp

For me to pretend I'm the keeper of the small town mentality or that's all I'm interested in is wrong. — © John Mellencamp
For me to pretend I'm the keeper of the small town mentality or that's all I'm interested in is wrong.
I grew up in the Midwest. I understand a sense of the small-town mentality, small-town social politics.
I was brought up by a single mom in a poor town in Arkansas and while some aspects of small-town life were really positive - like the fact that everyone there is really sweet and hospitable - there is also this close-minded mentality, and that naturally made me want to rebel.
Glasgow is a city, but it's one with a small-town mentality.
There is sort of a small town mentality on the east coast of Canada.
I grew up in a small Southern town, kind of a counterculture to a small Southern mentality.
The first time that you escape from home or the small town that you live in - there's a reason a small town is called a small town: It's because not many people want to live there.
When you're growing up in a small town You know you'll grow down in a small town There is only one good use for a small town You hate it and you know you'll have to leave.
I first read Wendell Berry's short-story collections, "Fidelity" and then "Watch with Me." They just knocked my socks off. The characters and the fellowship of the small town reminded me of my own small town in Illinois.Then I discovered that, much like J.R.R. Tolkien and C.S. Lewis, that all of Berry's fiction was centered in this same town.
I was born in a very small town in North Dakota, a town of only about 350 people. I lived there until I was 13. It was a marvelous advantage to grow up in a small town where you knew everybody.
I have a house in a small town in Tuscany where everybody knows and looks out for each other. That's a similar mentality to on the Isle of Man.
I think growing up in a small town, the kind of people I met in my small town, they still haunt me. I find myself writing about them over and over again.
With a small town mentality, you make a decision very early on as to whether you are going to do everything by the book or just go your own way and not care.
A lot of stuff doesn't faze me. I think it's because I was brought up in a small town, and normally, when you're from a small town, when you see a famous person, you'd be like, 'Oh my god. This never happens,' but I've always kind of been like nonchalant.
Why not take a science fiction comic and put the characters in a small town to gain their particular perspective? A lot of that comes from me growing up in a small town on a farm, so that's what I know and what I'm comfortable with. My drawing style is also very sparse and minimalist, so a rural setting complements that.
I grew up in a suburb of Ohio, in a small town, and I resonated with that small-town feeling where everybody knows your business.
What interested me in film was the image-making aspect of it. So, I went to school in cinematography. I was really convinced that image was what I wanted to do, and I think it came from the fact that I lived in a small town my whole life, but my mother was very interested in painting, so she would bring us to Paris for two weeks. So, we're going to the Louvre and to the museums and to see shows. In the evening we were seeing theater. Painting is basically what led me. I think the image was key.
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