A Quote by John Milton

My sentence is for open war. — © John Milton
My sentence is for open war.

Quote Topics

Never trust the translation or interpretation of something without first trusting its interpreter. One word absent from a sentence can drastically change the true intended meaning of the entire sentence. For instance, if the word love is intentionally or accidentally replaced with hate in a sentence, its effect could trigger a war or false dogma.
War tears, rends. War rips open, eviscerates. War scorches. War dismembers. War ruins.
Writing is linear and sequential; Sentence B must follow Sentence A, and Sentence C must follow Sentence B, and eventually you get to Sentence Z. The hard part of writing isn't the writing; it's the thinking. You can solve most of your writing problems if you stop after every sentence and ask: What does the reader need to know next?
I have a hard time revising sentences, because I spend an inordinate amount of time on each sentence, and the sentence before it, and the sentence after it.
The most important sentence in any article is the first one. If it doesn't induce the reader to proceed to the second sentence, your article is dead. And if the second sentence doesn't induce him to continue to the third sentence, it's equally dead.
It's kind of like sentencing. A lot of people say that we have a heavy sentence for this crime and a light sentence for another crime, and what we ought to do is reduce the heavy sentence so it's more in line with the other. Wrong. In most cases we ought to increase the light sentence and make it compatible with the heavy sentence, and be serious about punishment because we are becoming too tolerant as a society, folks, especially of crime, in too many parts of the country.
I start with voice, maybe a sentence. That sentence might embody an image, and I go from there. One sentence to the next. Sound drives the work these days - sound before description.
Just take Germany and the suffering of Jews during and after the Second World War. It would be legal to ridicule and to laugh at this suffering, but since it was such a trauma on the European conscience, no one is going to do it. It is an open scar, an open wound, an open reality.
Sometimes a flat-footed sentence is what serves, so you don't get all writerly: 'He opened the door.' There, it's open.
The first sentence of the truth is always the hardest. Each of us had a first sentence, and most of us found the strength to say it out loud to someone who deserved to hear it. What we hoped, and what we found, was that the second sentence of the truth is always easier than the first, and the third sentence is even easier than that. Suddenly you are speaking the truth in paragraphs, in pages. The fear, the nervousness, is still there, but it is joined by a new confidence. All along, you've used the first sentence as a lock. But now you find that it's the key.
I have not written a perfect sentence, in the literary sense. It's a lot easier to throw a perfect pass than to write a perfect sentence, if that sentence is meant to perform more than a mechanical function.
Anything about Iraq is a death sentence at the box office... You can't make movies about an unpopular war while the war is still going on - people don't want to pay to get depressed, though they sometimes will go to movies to get educated.
After four or five different wars, I grew weary of that work, partly because in an open war, open to coverage, as Vietnam was, it's not that difficult, really.
What the world needs most is openness: Open hearts, open doors, open eyes, open minds, open ears, open souls.
War is hell, but that's not the half of it, because war is also mystery and terror and adventure and courage and discovery and holiness and pity and despair and longing and love. War is nasty; war is fun. War is thrilling; war is drudgery. War makes you a man; war makes you dead.
War is a lie. War is a racket. War is hell. War is waste. War is a crime. War is terrorism. War is not the answer.
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