A Quote by John Milton
How often from the steep Of echoing hill or thicket have we heard Celestial voices to the midnight air, Sole, or responsive each to other's note, Singing their great Creator?
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Researchers studied 34 students at the University of Virginia, taking them to the base of a steep hill and fitting them with a weighted backpack. They were then asked to estimate the steepness of the hill. Some participants stood next to friends during the exercise, while others were alone. The students who stood with friends gave lower estimates of the steepness of the hill. And the longer the friends had known each other, the less steep the hill appeared.
When the voices of children are heard on the greenAnd laughing is heard on the hill,My heart is at rest within my breastAnd everything else is still.
You start singing by singing what you hear. So everyone, when they first start singing, they naturally are singing like whatever they're hearing, because that's the only way you learned how to sing. So when I was growing up on Lauryn Hill, when I started singing her songs, I literally trained my voice to be able to do runs.
Sometimes when you do voices next to each other, especially when you're first starting out, they tend to bleed into each other. Working on a show like 'Futurama,' we do multiple characters there, but we've been doing it for a while, so the voices are really well-defined in our heads.
Television, although It's in steep decline, still occasionally gives voices to people who don't have voices.
There are a lot of great artists with great voices who aren't singing what they should be singing.
For its part, Government will listen. We will strive to listen in new ways - to the voices of quiet anguish, to voices that speak without words, the voices of the heart, to the injured voices, and the anxious voices, and the voices that have despaired of being heard.
Up to the age of 14 I had not heard a note of anything before 1750, never heard a note of Bach, never heard anything after Wagner, and never heard any real jazz.
The Christmas bells from hill to hill Answer each other in the mist.
I now understand what Nelle Morton meant when she said that one of the great tasks in our time is to "hear people to speech." Behind their fearful silence, our students want to find their voices, speak their voices, have their voices heard. A good teacher is one who can listen to those voices even before they are spoken-so that someday they can speak with truth and confidence.
I love singing, but I feel very naked and very vulnerable when I'm singing sometimes. With acting, I always think that it doesn't matter what you are as long as you're truthful in that moment. But with singing, you always have to hit the note. It's not like you can just go, 'Oh, it doesn't really matter what note you sing!'
We cannot silence the voices that we do not like hearing. We can, however, do everything in our power to make certain that other voices are heard.
It is sad that the air is the only thing we share. No matter how close we get to each other, there is always air between us.
Kids automatically teach each other how to use technology, but they're not going to teach each other about the history of democracy, or the importance of taking their voices into the public sphere to create social change.
I love the sound of voices singing together, congregational singing, anything like gospel, or folk, or sea shanties. I spent quite a bit of time in choirs growing up, and in the world-touring music group, Anuna. It's a sound with very rich texture, voices singing together.
Every day we'd trudge up the hill - it was a three-quarter-mile walk up this steep hill to the Leach Pottery, and we would take our lunch with us and generally, I guess, make a nuisance of ourselves.
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