A Quote by John Milton
So much I feel my genial spirits droop, My hopes all flat, nature within me seems In her functions weary of herself.
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English literature, from the days of the minstrels to the Lake Poets,--Chaucer and Spenser and Milton, and even Shakespeare, included,--breathes no quite fresh and, in this sense, wild strain. It is an essentially tame and civilized literature, reflecting Greece and Rome. Her wildness is a greenwood, her wild man a Robin Hood. There is plenty of genial love of Nature, but not so much of Nature herself. Her chronicles inform us when her wild animals, but not the wild man in her, became extinct.
This bored fantastic woman, with her animal nature, giving herself the pleasure of seeing her enemy struck down, not a particularly keen one for her because she is so weary of having all her desires satisfied.
I think what was special about 'Music by Prudence' was the classic story of the title subject's life path - from being an outcast in her society because she was disabled, to someone who picked herself from that despair and elevated herself within that community, and now that society accepting her as much as they formerly rejected her. People identified with that journey, overcoming an obstacle, but still triumphing.
[Eva Braun] did not want me to interrupt her or try to lift her spirits. She told me she had to go through these periods by herself.
Vengeful as nature herself, she loves her children only in order to devour them better and if she herself rips her own veils of self-deceit, Mother perceives in herself untold abysses of cruelty as subtle as it is refined.
Just as the ancients danced to call upon the spirits in nature, we too can dance to find the spirits within ourselves that have been long buried and forgotten.
The universal nature has no external space; but the wondrous part of her art is that though she has circumscribed herself, everything which is within her which appears to decay and to grow old and to be useless she changes into herself, and again makes other new things from these very same, so that she requires neither substance from without nor wants a place into which she may cast that which decays. She is content then with her own space, and her own matter, and her own art.
Spirits are not finely touched But to fine issues, nor Nature never lends The smallest scruple of her excellence But like a thrifty goddess she determines Herself the glory of a creditor,Both thanks and use.
Of all the things that oppress me, this sense of the evil working of nature herself -my disgust at her barbarity -clumsiness -darkness -bitter mockery of herself -is the most desolating.
Kessa ran her fingers over her stomach. Flat. But was it flat enough? Not quite. She still had some way to go. Just to be safe, she told herself. Still, it was nice the way her pelvic bones rose like sharp hills on either side of her stomach. I love bones. Bones are beautiful.
I think Nature, if she interests herself much about her children, must often feel that, like the miserable Frankenstein, with her experimenting among the elements of humanity, she has brought beings into existence who have no business here; who can do none of her work, and endure none of her favours; whose life is only suffering; and whose action is one long protest against the ill foresight which flung them into consciousness.
Adultery is in most cases a theft in the dark. At such moments almost every woman betrays her husband's innermost secrets; becomes a Delilah who discloses to a stranger, discloses to her lover, the mysteries of her husband's strength or weakness. What seems to me treason is, not that women give themselves, but that a woman is prone, when she does so, to justify herself to herself by uncovering her husband's nakedness, exposing it to the inquisitive and scornful gaze of a stranger.
I am not [...] asserting that humans are either genial or aggressive by inborn biological necessity. Obviously, both kindness and violence lie within the bounds of our nature because we perpetrate both, in spades. I only advance a structural claim that social stability rules nearly all the time and must be based on an overwhelmingly predominant (but tragically ignored) frequency of genial acts, and that geniality is therefore our usual and preferred response nearly all the time. [...] [T]he center of human nature is rooted in ten thousand ordinary acts of kindness that define our days.
Nature herself seems, I say, to take the pen out of his hand, and to write for him with her own bare, sheer, penetrating power.
You may command Nature to the extent only in which you are willing to obey her. You cannot intelligently obey that which you do not comprehend. Therefore I also say, ask of Nature that you may be one with her and she will whisper her secrets to you to the extent in which you are prepared to listen. Seek to be alone much to commune with Nature and be thus inspired by her mighty whisperings within your consciousness. Nature is a most jealous god, for she will not whisper her inspiring revelations to you unless you are absolutely alone with her.
I was frequently embarrassed by the way Margaret conducted herself within the European Community. Her tactics were counter-productive and damaging to the UK's interests. On most issues her approach was foolish. Her style and tone of voice came to irk the others so much that they instinctively sank their differences and joined forces against her.
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