A Quote by John Milton
Into this wild abyss, The womb of Nature and perhaps her grave.
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Into this wild Abyss/ The womb of Nature, and perhaps her grave--/ Of neither sea, nor shore, nor air, nor fire,/ But all these in their pregnant causes mixed/ Confusedly, and which thus must ever fight,/ Unless the Almighty Maker them ordain/ His dark materials to create more worlds,--/ Into this wild Abyss the wary Fiend/ Stood on the brink of Hell and looked a while,/ Pondering his voyage; for no narrow frith/ He had to cross.
English literature, from the days of the minstrels to the Lake Poets,--Chaucer and Spenser and Milton, and even Shakespeare, included,--breathes no quite fresh and, in this sense, wild strain. It is an essentially tame and civilized literature, reflecting Greece and Rome. Her wildness is a greenwood, her wild man a Robin Hood. There is plenty of genial love of Nature, but not so much of Nature herself. Her chronicles inform us when her wild animals, but not the wild man in her, became extinct.
I like to think how easily Nature will absorb London as she absorbed the mastodon, setting her spiders to spin the winding-sheet and her worms to fill in the grave, and her grass to cover it pitifully up, adding flowers - as an unknown hand added them to the grave of Nero.
Poetry is perhaps this: an Atemwende, a turning of our breath. Who knows, perhaps poetry goes its way—the way of art—for the sake of just such a turn? And since the strange, the abyss and Medusa’s head, the abyss and the automaton, all seem to lie in the same direction—is it perhaps this turn, this Atemwende, which can sort out the strange from the strange? It is perhaps here, in this one brief moment, that Medusa’s head shrivels and the automaton runs down? Perhaps, along with the I, estranged and freed here, in this manner, some other thing is also set free?
Thanks to our cinctures and corsets we have succeeded in making an artificial being out of woman. She is an anomaly, and Nature herself, obedient to the laws of heredity, aids us in complicating and enervating her. We carefully keep her in a state of nervous weakness and muscular inferiority, and in guarding her from fatigue, we take away from her possibilities of development. Thus modeled on a bizarre ideal of slenderness to which, strangely enough, we continue to adhere, our women have nothing in common with us, and this, perhaps, may not be without grave moral and social disadvantages.
It is that holy poetry and singing we are after. ... It is the wild singing we are after, our chance to use the wild language we are learning by heart under the sea. When a woman speaks her truth, fires up her intention and feeling, staying tight with the instinctive nature, she is singing, she is living in the wild breath-stream of the soul. To live this way is a cycle in itself, one meant to go on, go on, go on.
Selfishly, perhaps, Catti-brie had determined that the assassin was her own business. He had unnerved her, had stripped away years of training and discipline and reduced her to the quivering semblance of a frightened child. But she was a young woman now, no more a girl. She had to personally respond to that emotional humiliation, or the scars from it would haunt her to her grave, forever paralyzing her along her path to discover her true potential in life.
nature has not changed. The night is still unsullied, the stars still twinkle, and the wild thyme smells as sweetly now as it did then ... We may be afflicted and unhappy, but no one can take from us the sweet delight which is nature's gift to those who love her and her poetry.
Perhaps the most important thing we can ever do in our lives is find a way to keep the wild-both the wild inside and the wild outside us-and tap into it.
The assumption that the laws of nature are eternal is a vestige of the Christian belief system that informed the early postulates of modern science in the seventeenth century. Perhaps the laws of nature have actually evolved along with nature itself, and perhaps they are still evolving. Or perhaps they are not laws at all, but more like habits.
When a woman gives birth, two are born: a baby from the womb of its mother and a woman from the womb of her former existence.
I found her lying on her stomach, her hind legs stretched out straight, and her front feet folded back under her chest. She had laid her head on his grave. I saw the trail where she had dragged herself through the leaves. The way she lay there, I thought she was alive. I called her name. She made no movement. With the last ounce of strength in her body, she had dragged herself to the grave of Old Dan.
Hear and attend and listen; for this is what befell and be-happened and became and was, O my Best Beloved, when the Tame animals were wild. The dog was wild, and the Horse was wild, and the Cow was wild, and the Sheep was wild, and the Pig was wild -as wild as wild could be - and they walked in the Wet Wild Woods by their wild lones. But the wildest of all the wild animals was the Cat. He walked by himself and all places were alike to him
The earth is literally our mother, not only because we depend on her for nurture and shelter but even more because the human sepcies has been shaped by her in the womb of evolution. Our salvation depends upon our ability to create a religion of nature.
The abyss is full of reality, the abyss experiences itself, the abyss is alive.
Nature! We live in her midst and know her not. She is incessantly speaking to us, but betrays not her secret. We constantly act upon her, and yet have no power over her. Variant: NATURE! We are surrounded and embraced by her: powerless to separate ourselves from her, and powerless to penetrate beyond her.
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