A Quote by John Milton
They, looking back, all the eastern side beheld Of Paradise, so late their happy seat, Waved over by that flaming brand, the gate With dreadful faces thronged and fiery arms: Some natural tears they dropped, but wiped them soon; The world was all before them, where to choose Their place of rest, and Providence their guide; They, hand in hand, with wandering steps and slow, Through Eden took their solitary way.
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The world was all before them, where to choose Their place of rest, and Providence their guide: They hand in hand, with wandering steps and slow, Through Eden took their solitary way.
There once was a girl who found herself dead. She peered over the ledge of heaven and saw that back on earth her sister missed her too much, was way too sad, so she crossed some paths that would not have crossed, took some moments in her hand shook them up and spilled them like dice over the living world. It worked. The boy with the guitar collided with her sister. "There you go, Len," she whispered. "The rest is up to you.
Books go out into the world, travel mysteriously from hand to hand, and somehow find their way to the people who need them at the times when they need them ... Cosmic forces guide such passings-along.
The boy and girl going hand in hand through a meadow; the mother washing her baby; the sweet simple things in life. We have almost lost track of them. On the one side, we over-intellectualize everything; on the other hand, we are over-mechanized. We can understand the danger of the atomic bomb, but the danger of our misunderstanding the meaning of life is much more serious.
I don't believe in signing anything and everything that comes my way. I leave it to my agency to help narrow them down for me, but I do research it myself before signing. The image of the brand and its ambassadors go hand in hand.
My belief is that we were put into this world of wonders and beauty with a special ability to appreciate them, in some cases to have the fun of taking a hand in developing them, and also in being able to help other people instead of overreaching them and, through it all, to enjoy life - that is, to be happy.
This royal throne of kings, this sceptered isle, This earth of majesty, this seat of Mars, This other Eden, demi-paradise, This fortress built by Nature for herself Against infection and the hand of war, This happy breed of men, this little world, This precious stone set in the silver sea, Which serves it in the office of a wall Or as a moat defensive to a house, Against the envy of less happier lands,--This blessed plot, this earth, this realm, this England.
And then it hit me. One of those evil thoughts siblings get because, well, that's what we do. Looking over my shoulder I said, "You know, since you have some free time, maybe you could...never mind." "What?" "Well it's just that, all those calories you've been drink - I mean - not burning off have kind of settled on your gut. I didn't want to mention anything," I said as Dave's hand stole to his midsection. "But the general pointed out that you'd lost a few steps training-wise." I laughed and waved my hand. "I'm sure it's nothing switching to a light beer won't cure.
They took away what should have been my eyes (but I remembered Milton's Paradise). They took away what should have been my ears, (Beethoven came and wiped away my tears) They took away what should have been my tongue, (but I had talked with god when I was young) He would not let them take away my soul, possessing that I still possess the whole.
Royce turned to Hadrian. “It’s supposed to make them look tough, but all it really does is make it easy to identify them as thieves for the rest of their lives. Painting a red hand on everyone is pretty stupid when you think about it.” “That tattoo is supposed to be a hand?” Hadrian asked. “I thought it was a little red chicken. But now that you mention it, a hand does make more sense.” Royce looked back at Will and tilted his head to one side. “Does kinda look like a chicken.
What I love about Inuit carving is that it's so narrative, but it doesn't have the temporal dimension of an illustrated picture, where it feels like something happens before or after. Everything is happening in the sculpture, and you can hold the whole story in your hand. A lot of these sculptures are small enough that you can hide them in your hand completely so you're not looking at them, you're just feeling them. I
I should have kissed more than your hand...thought I'd have more time," he whispered between liquid, panting breaths. "...too late now." I looked into his eyes and completely forgot the rest of the world. In that moment, all I knew was that I was holding Stark in my arms, and I was going to lose him very, very soon.
When student-actors see people and the way they behave when together, see the color of the sky, hear the sounds in the air, feel the ground beneath them and the wind on their faces, they get a wider view of their personal world and development in the theater is quickened. The world provides the material for the theater and artistic growth develops hand-in-hand with one's recognition of it and one's self within it.
If all stories are fiction, fiction can be true -- not in detail or fact, but in some transformed version of feeling. If there is a memory of paradise, paradise can exist, in some other place or country dimensionally reminiscent of our own. The sad stories live there too, but in that country, we know what they mean and why they happened. We make our way back from them, finding the way through a bountiful wilderness we begin to understand. Years are nothing: Story conquers all distance.
As soon as my clothes come back from the laundry I hang them up on the left-hand side of the wardrobe and take clothes to wear from the right, so they're constantly rotating.
When I passed the Chancellor he arose, waved his hand at me, and I waved back at him. I think the writers showed bad taste in criticizing the man of the hour in Germany.
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