A Quote by John Milton
Can any mortal mixture of earth's mould Breathe such divine enchanting ravishment?
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Who, of men, can tell
That flowers would bloom, or that green fruit would swell
To melting pulp, that fish would have bright mail,
The earth its dower of river, wood, and vale,
The meadows runnels, runnels pebble-stones,
The seed its harvest, or the lute its tones,
Tones ravishment, or ravishment its sweet,
If human souls did never kiss and greet?
We need Goddess consciousness to reveal earth's holiness. Divine feminine imagery opens up the notion that the earth is the body of the Divine, and when that happens, the Divine cannot be contained solely in a book, church, dogma, liturgy, theological system, or transcendent spirituality. The earth is no longer a mere backdrop until we get to heaven, something secondary and expendable. Mater becomes inspirited; it breathes divinity. Earth comes alive and sacred. And we find ourselves alive in the midst of her and forever altered.
It's not that easy, but the moment the camera is switched on, I have to mould myself to breathe life into the characters I portray.
Melancholy men of all others are most witty, which causeth many times a divine ravishment, and a kinde of Enthusiasmus, which stirreth them up to bee excellent Philosophers, Poets, Prophets, etc.
Now and again, it is necessary to seclude yourself among deep mountains and hidden valleys to restore your link to the source of life. Breathe in and let yourself soar to the ends of the universe; breathe out and bring the cosmos back inside. Next, breathe up all the fecundity and vibrancy of the earth. Finally, blend the breath of heaven and the breath of earth with your own, becoming the Breath of Life itself.
This influential, yet controversial idea requires that the mixture of species on Earth at any moment acts as a collective organism that continuously (yet unwittingly) tunes Earth's atmospheric composition and climate to promote the presence of life... But I'd bet there are some dead Martians and Venusians who advanced the same theory about their own planets a billion years ago.
A holiday in a new dress?can earth offer anything more enchanting?
Mortal beauty often makes me ache, and mortal grandeur can fill me with that longing...but Paris, Paris drew me close to her heart, so I forgot myself entirely. Forgot the damned and questing preternatural thing that doted on mortal skin and mortal clothing. Paris overwhelmed, and lightened and rewarded more richly than any promise.
Gay men are accepted in films, music and politics because people came out and broke the mould and stereotype in those industries. What I am trying to do is break the trend in rugby and sport in general and show any aspiring sportsman, regardless of his age, that the mould has been broken.
Sculpture is more divine, and more like Nature, That fashions all her works in high relief, And that is Sculpture. This vast ball, the Earth, Was moulded out of clay, and baked in fire; Men, women, and all animals that breathe Are statues, and not paintings.
I do not pretend to be a divine man, but I do believe in divine guidance, divine power, and in the fulfillment of divine prophecy. I am not educated, nor am I an expert in any particular field but I am sincere, and my sincerity is my credentials.
The sun hides not the ocean, which is the dark side of this earth, and which is two thirds of this earth. So, therefore, that mortal man who hath more of joy than sorrow in him, that mortal man cannot be true-- not true, or undeveloped. With books the same. The truest of all men was the Man of Sorrows, and the truest of all books is Solomon’s, and Ecclesiastes is the fine hammered steel of woe.
Aerial spirits, by great Jove design'd To be on earth the guardians of mankind: Invisible to mortal eyes they go, And mark our actions, good or bad, below: The immortal spies with watchful care preside, And thrice ten thousand round their charges glide: They can reward with glory or with gold, A power they by Divine permission hold.
Shall any gazer see with mortal eyes, Or any searcher know by mortal mind; Veil upon veil will lift but there must be Veil upon veil behind.
Beauty is not the divine in a cloak of physical reality; no, it is physical reality in a cloak that is divine. The artist does not bring the divine on to the earth by letting it flow into the world; he raises the world into the sphere of the divine.
Oh, where is man That mortal god, that hath no mortal kin Or like on earth? Shall Nature's orator The interpreter of all her mystic strains Shall he be mute in Nature's jubilee?
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