A Quote by John Milton
Sometime let gorgeous Tragedy In sceptred pall come sweeping by, Presenting Thebes, or Pelops' line, Or the tale of Troy divine.
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[Comedies], in the ancient world, were regarded as of a higher rank than tragedy, of a deeper truth, of a more difficult realization, of a sounder structure, and of a revelation more complete. The happy ending of the fairy tale, the myth, and the divine comedy of the soul, is to be read, not as a contradiction, but as a transcendence of the universal tragedy of man. ...Tragedy is the shattering of the forms and of our attachment to the forms...
It's as if Thomas Kinkade and Dante were at a party, and one turned to the other sometime after midnight and uttered that classic line "You know, we really should work together sometime.
whether they'll write the story of my life as a tragedy or an epic fantasy... I was wondering if it was going to be a kiss at the end, or sad music and a sweeping camera shot over the fields I once roamed freely. I'm hoping for the kiss, but expecting the sweeping camera shot.
When the lambs is lost in the mountain, he said. They is cry. Sometime come the mother. Sometime the wolf.
Rashly,
And praised be rashness for it--let us know,
Our indiscretion sometime serves us well
When our deep plots do pall, and that should learn us
There's a divinity that shapes our ends,
Rough-hew them how we will
History is a tragedy, not a morality tale.
UNMARKED is both gorgeous and hideous. A frightening and disturbing tale spun with great beauty. Absolutely riveting.
I always wanted to tell the story of how Pearl Jam is the story of lightning striking twice. As well as being the flipside of the classic rock tale where great promise ends in tragedy. This is where tragedy begins great promise.
'Kris Kringle' is a holiday musical for a new generation - a gorgeous score paired with a heartwarming tale of family and forgiveness.
The happy ending of the fairy tale, the myth, and the divine comedy of the soul, is to be read, not as a contradiction, but as a transcendence of the universal tragedy of man. The objective world remains what it was, but, because of a shift of emphasis within the subject, is beheld as though transformed. Where formerly life and death contended, now enduring being is made manifest-as indifferent to the accidents of time as water boiling in a pot is to the destiny of a bubble, or as the cosmos to the appearance and disappearance of a galaxy of stars.
The artist usually sets out -- or used to -- to point a moral and adorn a tale. The tale, however, points the other way, as a rule. Two blankly opposing morals, the artist's and the tale's. Never trust the artist. Trust the tale. The proper functions of a critic is to save the tale from the artist who created it.
Ah what avails the sceptred race, Ah what the form divine! What every virtue, every grace! Rose Aylmer, all were thine. Rose Aylmer, whom these wakeful eyes May weep, but never see, A night of memories and of sighs I consecrate to thee.
Out- out are the lights- out all! And, over each quivering form, The curtain, a funeral pall, Comes down with the rush of a storm, While the angels, all pallid and wan, Uprising, unveiling, affirm That the play is the tragedy, "Man," And its hero the Conqueror Worm.
Sometimes, as a comedian, a line will come to you, that is so beautiful, so perfect, that you think: I did not create this line. This line belongs to all of us. Surely this is a line of God.
Sometimes, as a comedian, a line will come to you, that is so beautiful, so perfect, that you think: I did not create this line. This line belongs to all of us. Surely this is a line of God
I am inspired by anything beautiful. Sometime it's a pair of eyes or flowing gorgeous hair, other times it's the sky or a sunset. I've been inspired by supple skin or the texture of a soft shirt.
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