A Quote by John Milton

As children gath'ring pebbles on the shore. Or if I would delight my private hours With music or with poem, where so soon As in our native language can I find That solace?
There's keen delight in what we have: The rattle of pebbles on the shore Under the receding wave.
When I lost a tennis match that made me upset or hurt emotionally I would find myself going to the piano and playing for hours. It was my place of refuge and solace.
Introduction To Poetry I ask them to take a poem and hold it up to the light like a color slide or press an ear against its hive. I say drop a mouse into a poem and watch him probe his way out, or walk inside the poem's room and feel the walls for a light switch. I want them to waterski across the surface of a poem waving at the author's name on the shore. But all they want to do is tie the poem to a chair with rope and torture a confession out of it. They begin beating it with a hose to find out what it really means.
All of our media is made of language: our films, our music, our images, and of course our words. How different this is from analog production, where, if you were somehow able to peel back the emulsion from, say, a photograph, you wouldn't find a speck of language lurking below the surface.
Translate a book a dozen times from one language to another, and what becomes of its style? Most books would be worn out and disappear in this ordeal. The pen which wrote it is soon destroyed, but the poem survives.
Children should Transcribe favourite Passages. A certain sense of possession and delight may be added to this exercise if children are allowed to choose for transcription their favourite verse in one poem and another.
I believe in fiction and the power of stories because that way we speak in tongues. We are not silenced. All of us, when in deep trauma, find we hesitate, we stammer; there are long pauses in our speech. The thing is stuck. We get our language back through the language of others. We can turn to the poem. We can open the book. Somebody has been there for us and deep-dived the words.
One day while studying a Yeats poem I decided to write poetry the rest of my life. I recognized that a single short poem has room for history, music, psychology, religious thought, mood, occult speculation, character, and events of one's own life. I still feel surprised that such various substances can find shelter and nourishment in a poem. A poem in fact may be a sort of nourishing liquid, such as one uses to keep an amoeba alive. If prepared right, a poem can keep an image or a thought or insights on history or the psyche alive for years, as well as our desires and airy impulses.
A fondness for reading changes the inevitable dull hours of our life into exquisite hours of delight.
The Good Quality Snob, or wearer of muted tweeds, cut almost exactly the same from year to year, often with a hat of the same material, [is] native to the Boston North Shore, the Chicago North Shore, the North Shore of Long Island, to Westchester County, the Philadelphia Main Line and the Peninsula area of San Francisco.
First there's the promise ring, then the engagement ring, then the wedding ring... soon after... comes Suffer...ring!
I'm a child myself, in the sense that I'm still looking. Children are fascinated by black holes and ask me questions. I find they soon get the idea if it is explained in nontechnical language.
Who reads Incessantly, and to his reading brings not A spirit and judgment equal or superior, (And what he brings what need he elsewhere seek?) Uncertain and unsettled still remains, Deep versed in books and shallow in himself, Crude or intoxicate, collecting toys And trifles for choice matters, worth a sponge, As children gathering pebbles on the shore.
Tell you what, if there were gays in the army 'Saving Private Ryan' would have been a hell of a lot shorter film. There is no way it would take gay men three hours to find Matt Damon.
Above all, translators must be native speakers. It’s not because they speak the language better – I understand that sometimes a foreigner can learn a language better than native speakers. It has more to do with intimate knowledge of the society for which the book is being translated.
Poems have a different music from ordinary language, and every poem has a different kind of music of necessity, and that's, in a way, the hardest thing about writing poetry is waiting for that music, and sometimes you never know if it's going to come.
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