A Quote by John Moore-Brabazon, 1st Baron Brabazon of Tara

If you cannot say what you have to say in twenty minutes, you should go away and write a book about it. — © John Moore-Brabazon, 1st Baron Brabazon of Tara
If you cannot say what you have to say in twenty minutes, you should go away and write a book about it.
You should not do an autobiography if you want to tell the truth. There are a lot of things I know about people. If I can't say something good about a person, I don't want to say anything. And since I don't want to say anything bad, I won't write a book.
I've gone to skin doctors and they'll say to you, 'We should remove this because it's pre-cancerous,' and I'll say, 'Explain pre-cancerous to me.' I'll listen for about twenty minutes and I'll say excuse me, 'Is pre-cancerous like pre-dead? So you're saying it could turn into cancer but it's not cancer?'
When people say "Let it go," what they really mean is "Get over it," and that's not a helpful thing to say. It's not a matter of letting go - you would if you could. Instead of "Let it go," we should probably say "Let it be"; this recognizes that the mind won't let go and the problem may not go away, and it allows you to form a healthier relationship with what's bothering you.
I've been in the sun most of my life. I've gone to skin doctors and they'll say to you, 'We should remove this because it's pre-cancerous,' and I'll say, 'Explain pre-cancerous to me.' I'll listen for about twenty minutes and I'll say excuse me, 'Is pre-cancerous like pre-dead? So you're saying it could turn into cancer but it's not cancer?'
When you write a book, and you argue a problem is complicated and multidimensional, it's very easy to read a slice of that book and say, 'Well, this is the part that either confirms or really challenges my biases, so that's what I'm going to say the entire book is about.'
Steal not this book for fear of shame For on it is the owners name And when you die the Lord will say Where is the book you stole away And when you say you do not know The Lord will say go down below.
Over the past decade I have watched many friends go through graduate school and write dissertations. Through that process, I have seen how they are guided by mentors to understand particular norms within their disciplines and to learn about what they can and cannot, should and should not say, and which ideas can go together and which cannot. I never went through this process.
I think, for me, there's The Book I Should Write and The Book I Wanted to Write - and they weren't the same book. The Book I Should Write should be realistic, since I studied English Lit. It should be cultural. It should reflect where I am today. The Book I Wanted to Write would probably include flying women, magic, and all of that.
The age of the book is not over. No way... But maybe the age of some books is over. People say to me sometimes 'Steve, are you ever going to write a straight novel, a serious novel' and by that they mean a novel about college professors who are having impotence problems or something like that. And I have to say those things just don't interest me. Why? I don't know. But it took me about twenty years to get over that question, and not be kind of ashamed about what I do, of the books I write.
I come up with a blurb at the beginning, but the book will always be completely different by the time it's finished. They say, 'Where's the book you were going to write?' And I say, 'Forget about it. It doesn't exist.'
As a digital creator, there's been so much pressure to write a book because so many of my peers have done it. I've been very adamant about saying, "No! I don't want to release a book just for the sake of writing a book. I'm going to write a book when I feel like I have something to say in a book."
When I was one-and-twenty I heard a wise man say, `Give crowns and pounds and guineas But not your heart away; Give pearls away and rubies But keep your fancy free.' But I was one-and-twenty No use to talk to me. When I was one-and-twenty I heard him say again, `The heart out of the bosom Was never given in vain; 'Tis paid with sighs a plenty And sold for endless rue.' And I am two-and-twenty And oh, 'tis true, 'tis true.
If you want to write about a person who isn't nice, people say, "This is a bad book. It's about somebody I couldn't stand." But that's not the point. You don't have to like a character to like a book. Most of the time, people would misjudge and say, "I didn't like the book." No, you didn't like the character. That doesn't make it any less interesting of a book. In fact, to me, it makes it more interesting.
I should write a book. I've always wanted to write a book. I should write a book about kids who see dead people.
Some writers say they cannot write in front of a window; many say they cannot function without almost perfect quiet. A writer with only two hours a day can write in the back of an open truck on the Interstate.
'Say Her Name' was a book I never wanted to write and never expected to write. I wasn't trying to do anything except write a book for Aura - a book that I thought I had to write.
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