A Quote by John Morrison

I worked on 'Boone' for five years. I tried to find money for it. I couldn't. I ended up selling my house to finance it personally. — © John Morrison
I worked on 'Boone' for five years. I tried to find money for it. I couldn't. I ended up selling my house to finance it personally.
I have an office in my house and one about five minutes from my house. I worked solely out of my house for many years, but find, with children, that I have to be in a different ZIP code to think.
Everyone knows in the industry that when these great roles come up, every two years, there's a huge number of people up for them. I'm not one of those top five females that can personally finance any film.
Over the years, I've tried to find myself, tried to find out who I really was. I ended up coming full circle, a circle that took me back to that street fighter I started as: Diego Sanchez, from 'Burque,' New Mexico, fighting on the streets.
I worked in a supermarket for a year; I worked in a finance department at a university, a pub, busking and singing. I tried to be a nanny for about three weeks.
My son tried to work in films and he ultimately gave it up, he finally couldn't make a living, he couldn't support himself. He worked all the time and he didn't make enough money to have a house, have an apartment.
I saved up my pocket money when I was about five or six years old. I just wanted to buy a CD, and at that age, I didn't care about what it was, and I ended up buying 'The Teletubbies Say 'Eh-Oh!'' I started off strong.
When the War ended in 1945, I started selling vacuum cleaners door to door. Then I sold insurance door to door. I even tried selling cars.
Actually criminal sanctions that are given could be up to five years for violating the rules and regulations under the campaign finance reform. This is like the Alien and Sedition Act of years and years ago, decades ago.
I'd worked at the White House for two years, and I'd read a bunch of White House memoirs because everybody who works at the White House, even for five minutes, writes a memoir usually not less than 600 pages long - and never without the word 'power' in the title.
I ended up writing songs and growing up in public with my songwriting. And it's a good thing for me back then: in the early '70s, there was a thing called artist development, where an artist could find his feet, find himself, find his voice. I think I made five or six albums before I sold five or six albums.
It's challenging to live in Anacortes. I lived in Olympia for five years, went on tour for a year, ended up in Norway for a winter, and ended up back in Anacortes. But I have a long life ahead of me. I'll probably live in many different places, and then die in Anacortes.
It's hard not to sell out because once, you know, I grew up with working-class parents who definitely, definitely would be disappointed if I didn't take particular jobs being like, "What are you talking about? I would have worked years for that money in like, actual physical labor." So there's a privilege to not selling out. You already have to be in a position where you can look at that money and not care about it.
There was a period of time when I couldn't seem to get anything. I was on the series 'Daniel Boone,' and then, when that ended, I was still under 18, so I was too young to be in the older category and too old to be a child. So there was a few years there that were dry.
I worked with practically everybody in the business in all of the years in NBC, but I worked personally many years with people like Crosby and Sinatra, so of course that was a great ground school for me.
Prior to working for Fox, I worked for ABC and NBC, spent a lot of time at CNN, and almost ended up at CBS. I worked for a bunch of local stations in Los Angeles and had a talk-radio show at KABC for six years. In other words, I'm fortunate enough to have been around, and Fox News is the best place I've ever worked.
The vast sums of money that are coming in at the top end of the game are stretching the rest of the sides to try to get as much benefit out of what finance they've got and get the best players they can find for that finance.
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