A Quote by John Morrison

I tried out for 'Tough Enough' season 2 originally and made it to the final casting episode and got cut by Kevin Dunn, who said all I wanted to do was run and flip and jump.
Perseverance. I got cut twice. I got cut in Charlotte. I didn't have to go to Atlanta to audition. I could have said, "I'm not cut out for this." But I said, "I think I'm better than that, I can go try again." So I went to Atlanta and I made it through. Then I got cut the first time around. I could have told them I didn't want to come back for the Wild Card show but I did and look how far I got.
Everything we do on 'Luck' is absolutely no different than if we'd had been doing it in a feature film. There's no short cuts. The specificity of what every single line might mean. Everything Dustin Hoffman does. Kevin Dunn is as authentic in the last scene of the last episode as he is in the first scene of the first episode.
We may run into Kevin,” Lucy said gloomily. “She’s hoping to run into Kevin,” Zoë assured her. Justine smiled grimly. “Preferably with my car.
Any time you're dealing with an ankle, you've got to run, you've got to cut, you've got to do all those things. It makes it tough.
Kevin Dunn is great at what he does.
When I said I wanted to run a marathon, I wanted to do it under four hours. But when I started training, I was like, 'Oh I got this,' so I wanted to run between 3:30 and 3:35. I'm really proud of myself.
They say now in America that final cut doesn't mean anything. As Harvey Weinstein said to some film-maker, 'You can have final cut. I'll open your film in Arkansas.'
I do have to step out and take time to let people know that I'm Ronnie Dunn and not Brooks and Dunn.
Quentin [Tarantino] called me and said: "Yeah, you've got to be in my movie. You've got to be in Death Proof." But he made me audition. I was like: "Dude, I don't even want to do this..." So I left the casting of Hostel: Part II to drive to Venice, where Quentin was holding his casting, and the person ahead of me was Derek Richardson from Hostel 1 and he was like: "Dude, what are you doing here?" I said: "Don't ask!"
When I was only in the first episode of Orange Is The New Black, I'm thinking by lunchtime I'm ready for my contract, like, "What's up?" I finally just spoke up and said, "What's the deal? This is the first episode. I'd love to be on your show." And they said, "Oh, Lori, we filmed out of order, we already filmed the whole season two." So I had to wait six whole months to come back again.
Clive Dunn, as I understand it, retired to the south of Spain, where he worked extensively in watercolours. I don't own any of Clive Dunn's watercolours. I loved him in 'Dad's Army,' loved him. But not enough to actually seek out his watercolour work.
I tried to convince those guys at the Bullets in the '95-'96 season that they could try to beat the mighty London Towers, who won everything the year before. I got out of bed every day with the mindset of getting the team to Wembley for the play-off final and to win the championship.
The thing I realized about final cut is it's the power of the best cut. I didn't have final cut on 'Prisoners,' but what you saw is the best cut. 'Sicario' is a directors' cut. 'Arrival' is a directors' cut.
I was talking to Shonda Rhimes the other day and I said, "I. Do. Not. Know. How. You. Do. This." While we're writing episode 10, episode 6 is shooting, episode 3 is in the edit, and episode 2 is in its color session...You've got seven episodes in different parts! It's a wild, wild, wild ride, which I thoroughly enjoyed. It was badass and amazing.
We made a deal that was acceptable to us. We got paid very handsomely for our final season.
He walked out of the office to find Kevin Daley standing there. 'I like your style,' Kevin said. Thank you,' Alex said. 'I like it, too.
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