A Quote by John Mulaney
I really set out to do this traditional looking and traditional sounding multi-cam sitcom, but then make the world as elastic as an animated show could be. Make the world as surreal as we wanted it to be.
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I always wanted it to be multi-cam from the beginning. In the first seeds of the idea, I wanted a live audience, multi-cam show. That was very important for me.
When we looked out at the world and saw what 3D scanners could do, we wanted to make something that could make really high quality models that you could create on your MakerBot.
I wanted to get out in the world, have a great job, make my mark, and see how far I could go. And I wanted to make good on the philosophy my mother drilled into us with all the subtlety of a Lady Gaga performance. I got it loud and clear. I would need to succeed, and then I could possibly be happy.
When Europeans came to the New World the first thing they said is, well, Indians don't appreciate property. They're savage. They're backwards. They're uncivilized. ... Nothing could be farther from the truth. Tribes have very clear conceptions of their traditional boundaries, they maintain their rights and their claim sovereignty over the lands according to their own honored traditions and tribal elders. And so, you can go out there on the reservation, and there might be a reservation boundary established by the United States. But then there's traditional land boundaries.
I obviously read and adore traditional fiction. I teach traditional fiction, I also teach all kind of not-so-traditional fiction. And since I'm such a plot buff, and I'm really such a narrative buff, I can't seem to relinquish my - not just reliance - but excitement about those traditional techniques.
I wouldn't consider myself a traditional sitcom actor or someone you'd even think would be in a sitcom.
In the world of traditional economics, it shouldn't matter whether you use an opt-in or opt-out system. So long as the costs of registering as a donor or a nondonor are low, the results should be similar. But many findings of behavioral economics show that tiny disparities in such rules can make a big difference.
If a harmonious relationship is established amongst societies and religious beliefs in today's multi-ethnic, multi-religious and multi-cultural world, then it will surely set a very good example for others.
but it wasn't just about my feelings. The more I got to know you, the more I was certain that you'd do whatever it took to provide for your family. That was important to me. You have to understand that back then, a lot of people our age wanted to change the world. Even though it's a noble idea, I knew I wanted something more traditional. I wanted a family like my parents had, and I wanted to concentrate on my little corner of the world. I wanted someone who wanted to marry a wife and a mother, and someone who would respect my choice.
I love multi-cam. I grew up in a border town in South Texas right next to Mexico, a million miles away from this world... and to me, multi-cams are just like theater.
Who is a professional? A professional is someone who has a combination of competence, confidence and belief. A water diviner is a professional. A traditional midwife is a professional. A traditional bone setter is a professional. These are professionals all over the world. You find them in any inaccessible village around the world.
Many of the problems of poverty and need are really problems of physical infrastructure: not enough hospitals, too few schools, insufficient roads, bridges, and a lack of tools. This is what makes traditional philanthropy so daunting. You could build a thousand new hospitals in some parts of the world and barely make a difference.
Most of the work I make uses materials that are a bit outside of the traditional fine art world.
I wanted to use my story of starting Netflix - the whole thing, warts and all - to show how a dream could make it from the inside of one's head out into the real world.
I'm proud of 'Sinister' because Scott and Cargill did a great job on the movie, and I set up a framework for them to make what they wanted to make. They gave me the idea, and I figured out how to get it out into the world.
We're at a moment when the international system is in a period of change like we haven't seen for several hundred years. In some parts of the world, the nation state, on which the existing international system was based, is either giving up its traditional aspects, like in Europe, or as in the Middle East, where it was never really fully established, it is no longer the defining element. So in those two parts of the world, there is tremendous adjustment in traditional concepts.
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