A Quote by John Mulaney

I always wanted it to be multi-cam from the beginning. In the first seeds of the idea, I wanted a live audience, multi-cam show. That was very important for me. — © John Mulaney
I always wanted it to be multi-cam from the beginning. In the first seeds of the idea, I wanted a live audience, multi-cam show. That was very important for me.
To me, a multi-cam is just like the feeling you get from the audience.
Sitcoms are fun. The whole multi-cam genre is always a lot of fun. You throw a live audience in the mix, and it's even better.
I'm very lucky to be on 'Melissa and Joey' because it's a multi-cam sitcom, and it was a nice transition from theatre because it's taped in front of a live audience.
I love multi-cam. I grew up in a border town in South Texas right next to Mexico, a million miles away from this world... and to me, multi-cams are just like theater.
I really set out to do this traditional looking and traditional sounding multi-cam sitcom, but then make the world as elastic as an animated show could be. Make the world as surreal as we wanted it to be.
I did a lot of multi-cam shows when I first started coming out to L.A.
I feel like all comedy does require a lack of vanity, but multi-cam, especially.
The movies that I've done in the past, everybody's been like, 'Cam always gets away in a movie playing Cam.' So, like, I'm trying to step outside the box a little bit just to show my range in acting.
Information and communications technology unlocks the value of time, allowing and enabling multi-tasking, multi-channels, multi-this and multi-that.
Big Shaq stems from my YouTube series 'Somewhere in London.' I just wanted to create something that was multi-character and multi-dimensional.
I've been cast in a lot of comedies. I've done things like multi-cam sitcoms: you know, 'Seinfeld' type... not as good as 'Seinfeld,' but that kind of thing. I love that stuff.
If a harmonious relationship is established amongst societies and religious beliefs in today's multi-ethnic, multi-religious and multi-cultural world, then it will surely set a very good example for others.
Half the shows on Comedy Central are just multi-cam blue sets, and they kind of look like game shows from the '90s. It's like, 'Why do such a bland corporate aesthetic when the sky's the limit with what you can do?'
I love gritty dramas, 'Queen Sugar,' 'True Detective' - stuff like that, but I also love quippy comedies - those multi-cam comedies with incredibly talented and funny casts with perfect comedic timing.
The fact that 'Mom' is not joke, joke, joke - and is investing in these characters and their lives, things that really happen to people - I think it's resonating, and that's why people are tuning into it and not just dismissing it as a multi-cam sitcom.
Yo! Cam!” Beer Guy jumped off the porch and jogged down the sidewalk, passing me a quick look. “What you up to, man?” Saved by the frat boy. Cam’s gaze didn’t veer from me, but his grin started to slip. “Nothing, Kevin, just trying to have a conversation.
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