A Quote by John Mulaney
I also had Elliot Gould and Martin Short and Nasim Pedrad - let alone Zack Pearlman who is going to be a huge star, as is Seaton Smith - out there and I love writing for them and just sitting back and watching them be excellent. And when you are sitting across from Elliott Gould sharing a scene it just raises your game.
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Being an actor is easy, just picture someone in a room and you outside waiting for your cue to go in. Elliot Gould's been trying that for forty years.
I've always spent a lot of time in movie theaters, kind of absorbing anything I can. I just love sitting in the dark, and watching the flickering image up there. Just sitting in a movie theater alone is inspiring to me. It takes a pretty bad movie to drain the magic out of that - but Lord knows, those movies exist.
Meditation, witnessing, silently sitting and looking at the mind, will be of much help. Not forcing, simply sitting and looking. Not doing much, just watching as one watches birds flying in the sky. Just Lying down on the ground and watching, nothing to do, indifferent. Not your concern really, where they are going; they are going on their own.
Glenn Gould was my hero. Glenn Gould was my idol. I loved him.
So we have that, where there are moments where it's just Nic Cage and Amber Heard and you're in the car with them and it's not stuff flying at your face but you're literally sitting in the backseat. You're sitting there and it's just sort of interesting. At the same time we're going to throw cars and guns and bullets and frogs and naked people at your face because it's fun and that's the roller coaster. We do write some things for 3-D.
If your heart takes more pleasure in reading novels, or watching TV, or going to the movies, or talking to friends, rather than just sitting alone with God and embracing Him, sharing His cares and His burdens, weeping and rejoicing with Him, then how are you going to handle forever and ever in His presence? You'd be bored to tears in heaven, if you're not ecstatic about God now!
So you have the challenge of just learning the lines, period, and not only learning them, but learning them to the extent that you assimilate them, so that you're not worried about what the next word is coming out of your mouth when it comes to doing a scene. And you're also in the trenches with the writers, just in the wonderful kind of back and forth of how is it best to say something, even if it involves four or five words. I love that kind of thing.
I love writing. It's one of my favorite jobs. Of the things I get to do, I love sitting in a room and coming up with ideas, and I love going home and pounding them out.
There's nothing more mundane than sitting across from a celebrity in a sterile gray conference room. But when the star sitting across from you is Taraji Penda Henson, you are being treated to a master class in the art of the hustle.
I used to think as I looked out on the Hollywood night, 'There must be thousands of girls sitting alone like me dreaming of being a movie star.' But I'm not going to worry about them. I'm dreaming the hardest.
It's in the silence that I'm most able to hear the tiny voices that tell me I'm not good enough, smart enough, or cool enough. I try to hear them for what they are: my own creations. Sitting with them, letting them speak, hearing them out, and giving them back the silence that I'm now sitting in has shown me that, quite often, they shut up.
What's your name?" "Emma Gould," she said. "What's yours?" "Wanted." "By all the girls or just the law?
It's a beautiful city, and the waterfront area is fantastic. I haven't had time to visit the theatre, but I find it remarkable that Toronto has the third-largest English-speaking theatre district in the world, after New York and London. I once noticed a fellow sitting on a bench, then I realized it was a statue of Glenn Gould. It's very realistic.
It's not ideal for me to miss any time. I love the game. I want to be out there. I can't stand sitting the back watching games. I want to be out there fighting with my team.
If you want a film and they don't want you, sometimes you have to go fight for it. Sometimes that ends up just being a meeting really, just sitting down with them and just saying here is my vision for it and here is why I really love it. But for the most part, I think filmmakers gravitate towards people that are excited - as excited as they are about the film and as passionate about it. So sometimes going after it isn't so much a function of auditioning as it is just sitting down with the filmmaker.
I can sit back in 10, 15, 20 years, when I'm sitting with my kids, I'll be able to say that I'm sitting in Ravens Stadium during a game, and I'm watching one of the best swimmers ever win a Gold for the U.S. You know, as you get older, you cherish those kinds of moments.
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