A Quote by John Mulaney
I was new to acting on a stage in a narrative as opposed to acting on a stage as a stand-up. And like everything else it's just like comfort level. The first time I did stand-up I was at a place called the B3 in New York on Third and Avenue B and I not only didn't take the mic out of the stand, but I clutched the stand of the entire time.
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I can't believe how much time has passed. The first time I did stand-up I was 17, and I was really a stand-up once I was 19 in New York, and now I'm 41, and I still feel like I haven't found myself onstage.
When I went to college, I did clothing and textiles. It really wasn't until I moved to New York, my second night in, I did stand-up. I took a wild left turn, and instead of going back and finishing school at FIT, I started doing stand-up and acting.
The first time I did stand-up I was 17, and I was really a stand-up once I was 19 in New York, and now I'm 41, and I still feel like I haven't found myself onstage. Earlier in my career, I was really tight, really together, and knew who I was and I was confident.
During my stage shows, I am so energetic. It's constant! I just don't stand still. I actually got given a mic stand from my team to say 'Just calm down. Stand still for at least two songs.' But now I just pick it up and walk around with it.
I first did stand-up when I was 17, and then I passed out fliers for a comedy club (in New York City) and I got onstage whenever I could. And musical theater went out the window as soon as I started doing stand-up.
I just like to build. Don't get me wrong: I think stand-up is great, and when someone like Richard Pryor or Steve Martin does stand-up, there's nothing better in the world. But I don't want to watch a lot of stand-ups for two hours. So I can do 45 minutes of stand-up and then say, 'Can we do something else now?'
When I started comedy, I was a big Eddie Murphy fan. I thought if you did stand-up, you were supposed to know how to act, write, and host. I thought it was all one thing. That's why it doesn't feel like I'm transitioning to acting: because in my stand-up, I do characters all the time.
I'd been acting and doing stand-up in New York about eight years, getting rejected, and I finally got the opportunity to do stand-up on Letterman, which holds even more importance for me. With comedians, that's definitely the pinnacle, but being from Indiana, it was a big to-do.
I knew I wanted to be in comedy but the path of least resistance was doing stand-up in folk music clubs where I could get on stage. I guess you could get up no matter how bad you were and you didn't have to audition. You just got up. Everything else required an audition and if you auditioned for a TV show, you would stand in line with a hundred other people. But at the clubs, it was okay just to get up, so that's why I started in stand-up.
And I not only have the right to stand up for myself, but I have the responsibility. I can't ask somebody else to stand up for me if I won't stand up for myself. And once you stand up for yourself, you'd be surprised that people say, "Can I be of help?"
I not only have the right to stand up for myself, but I have the responsibility. I can't ask somebody else to stand up for me if I won't stand up for myself. And once you stand up for yourself, you'd be surprised that people say, "Can I be of help?".
Yeah, I mean, I did regular stand-up for a long time. And I did - I stopped doing stand-up when I worked on 'Ellen,' which was for five years. So when I went back to it, I found that, like, regular stand-up didn't really do it for me anymore. It almost felt insincere, like I wasn't saying anything I actually really wanted to say.
I did stand-up for a good number of years while I was still living in New York, and those people primarily knew me as 'the kid stand-up.'
My first time on TV doing stand-up, I actually did this show in Holland called 'The Comedy Factory' hosted by Jorgen Raymann. It was in 2006 in Holland. It was amazing. I had only been doing stand-up for four years, and I booked that gig through the Just For Laughs Montreal festival, and they flew me out and put me up.
I don't like to travel. I go out. When you do stand up, you travel a lot. Just working out. I don't really enjoy it. I like New York. There's nothing really like New York. Everything just becomes a worse version of New York.
Stand-up can take you in so many different places, man. So many doors can be opened up from stand-up comedy, and the first one that was opened up for me was acting. But you can go from acting to being a TV personality to being a radio personality to being a writer to being a producer, to just being a visionary, to voiceover work.
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