A Quote by John Mulaney
I have tons of jokes with moments in them over the years in stand-up that don't get a laugh but I love them so they stay.
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I'm not good at narrative; I'm really a gag writer, and that comes from being in the newspaper comic strip world for a while in college. What I do is I just write tons of jokes, then I sort them out in terms of quality and then pick the best of the jokes and then try to form them into a plot. If I get a good theme going, I feel lucky.
I could never do stand-up because it's that thing of having to get up on stage. And out of every 10 jokes you tell, nine of them have to get a really good response.
I enjoy it all: performIng, doing TV, movies, comedy, drama, stand-up, animation voicework, singing, but you get that instant gratification from stand-up because it's your own commentary and you get to see the reaction from the audience that's right there in front of you. I also love coming up with characters and watching people embrace them and enjoy them.
I like the purity of stand-up because it is all about whether people laugh at your jokes. Either they laugh or they don't.
I got into stand-up because I love stand-up. Specifically in stand-up, I love jokes. I love short, structured ideas and a punch line.
Our show was - it remained - you know, kids could watch it and laugh at it. And they wouldn't know - they wouldn't get the jokes. But they would laugh at it. So they tell me now they have grown up and they're watching it. Now they get the jokes. But we didn't say anything blatant.
I'd buy joke books and try doing them at school; I always had jokes. That would be my go-to thing at parties: I'd be able to get through them if I just told enough jokes. Otherwise, I wouldn't end up talking to anybody.
Either over neither, both over either/or, live-and-let-live over stand-or die, high spirits over low, energy over apathy, wit over dullness, jokes over homilies, good humor over jokes, good nature over bad, feeling over sentiment, truth over poetry, consciousness over explanations, tragedy over pathos, comedy over tragedy, entertainment over art, private over public, generosity over meanness, charity over murder, love over charity, irreplaceable over interchangeable, divergence over concurrence, principle over interest, people over principle.
I'm grateful that I had that uphill battle for 10 years of going onstage and having nobody know who I was, because you have to win them over. I have a lot of friends who were stand-ups, and they just stopped after a while, because they didn't like that battle. And then they would get on a sitcom and get visible and get back into it, because the audience was just way easier on them. That's why they're okay stand-ups, but they're never going to be great, because they don't have that presence. They never built those muscles up.
I'd love to stay in baseball, but I won't beg. I'd love to work with young umpires. I think I could teach them, help them develop. I can spot flaws, help them get over the hump. You're striving for perfection every game, yet you never achieve it. If baseball wants me, I'm available.
Improv requires your audience to be informed about what improv is. With stand-up, anybody can sit down and watch stand-up and laugh at jokes.
It's weird, I love acting and stand-up is a very unique, solitary thing where you are the writer, performer and director. But acting is incredibly rewarding, working and interacting with people to create funny moments. I can't imagine not doing acting or stand-up, I really enjoy both of them that much.
My favorite moments are the moments everyone cries over. I see people in the audience crying, and I go, 'I did that, too. I don't just do the jokes. I also do the cries.' Jokes and cries, jokes and cries. That's all I'm here for, people.
People don't understand how long it really takes to find beats. Sometimes they're not all the way there, but it's elements in them I love. Then I get to take them to get chopped up. Ye got to cook over a few of them.
My gift was in comedy. I found out I could make jokes. I could tell jokes. I could write them. So over the years, that's what I've done.
It's about respecting what I think people like about the original music. I'm not gonna ever take it to the extent that I'm kinda George Lucas-ing moments of the album over and over again, trying to get them right over the next 30 years - I don't wanna do anything like that. But, yeah - it's a... fascinating conundrum through the years.
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