A Quote by John Mulaney

Most open-mic experiences I had were okay. — © John Mulaney
Most open-mic experiences I had were okay.
When we first started making videos, we didn't have a boom mic, so we had to talk really loud. And then we got a boom mic and were like, 'Wow, we're shouting,' and had to learn to bring it back.
My first open mic was fantastic. I crushed. And my second mic was as bad as my first one was good.
I would show up at any venue that had an open mic.
I remember doing stand-up at an open mic a long time ago, and the MC was like, 'Who's next?' I said, 'Marietta Sirleaf,' and he was like, 'What?' And I was like, 'Ugh, okay, just Retta.' It stuck with me ever since.
I was working in a day job in marketing but I had my sights on doing an open-mic night.
I go to more open mic nights than open mikers.
Before I had a record deal, I was living in New York and playing anywhere I could, from somebody's house to an open mic to coffeeshops.
Yeah, in every film that I've been lucky enough to do with Tim, there's always some form of torture, and the nails were Tim's idea. They were the length of the fingers and stuff, but it was okay because I had a troop of people who would help me go to the bathroom. They had to have treatment afterwards but they're okay now. That is true.
When I performed at 'Open Mic U.K.' I had this connection with the audience that I'd never felt before, and I loved it. It was my first big thing, and looking out into the crowd... was just amazing.
I was 18 when I started. I was hanging out with some friends and they asked if I had tried stand-up before. I hadn't, but I thought: 'What the hell?' So I went to an open mic night, and I liked it.
I did so many open mics. I would write jokes on Twitter constantly, and then slowly, over time, open mics turned into shows. If you can get a joke to work at an open mic, it's a good joke.
The other reason I didn't want to fictionalize it is because one of the main points of publishing a memoir in nonfiction was that I wanted to write about what had been a very lonely experience. The books that most saved my life as a kid were the ones that articulated lonely experiences that I had thought were mine alone.
We did a different show every night. We'd open a show, and then two weeks later we'd open the next show. And two weeks later we'd open the third show until we had all eight running. And it was just one of the richest experiences I'd ever had in my theatrical life.
My second year of college, I started performing comedy at an open mic. It was good to do open mics with the kids. It's a good, safe spot to start, you know?
Some of the most moving experiences I've had are just in black churches in the South, during the Civil Rights Movement, where people were getting beaten, killed, really struggling for the most elementary rights.
When I was training, those were some of the most indelible experiences I've ever had, in my life. It is so raw. It is so human. It is so candid.
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