A Quote by John Naisbitt
In the network model, rewards come by empowering others, not by climbing over them. If you work in a hierarchy, you may not want to climb to its top.
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May God bless and keep you always, May your wishes all come true, May you always do for others And let others do for you. May you build a ladder to the stars And climb on every rung, May you stay forever young.
There's no glory in climbing a mountain if all you want to do is to get to the top. It's experiencing the climb itself - in all its moments of revelation, heartbreak, and fatigue - that has to be the goal.
In a sense everything that is exists to climb. All evolution is a climbing towards a higher form. Climbing for life as it reaches towards the consciousness, towards the spirit. We have always honored the high places because we sense them to be the homes of gods. In the mountains there is the promise of... something unexplainable. A higher place of awareness, a spirit that soars. So we climb... and in climbing there is more than a metaphor; there is a means of discovery.
Historically, many of the great names in alpine climbing seemed to have just gone climbing as training. In fact, the model alpinist has often portrayed himself in literature as a half-crazed nonconformist, living life on the edge every moment he's sober enough to climb. It is true that amazing feats of skill and daring have been accomplished using this rather random approach. For some climbers that "life on the edge" approach may be the only way they can accomplish these feats, but there are far better methods to prepare for the challenges of alpine climbing.
I have the tools to climb the mountain so I don't mind climbing mountains. I have climbed mountains since I was growing up in east London in Plaistow. I'm not scared of climbing mountains. When you get to the top, the view's great. That's what it's all about.
What really matters is the work. And what matters to me is doing the work. I'm not looking at the back end: "What am I going to get out of this? What's going to be the reward?" I'm just looking at the work, the pleasure of being able to do the work. And that's what the fun is: To climb up the mountain is the fun, not standing at the top. There's nowhere to go. But climbing up, that struggle, that to me is where the fun is. That to me is the thrill. But once that's over, that's kind of it. I don't look too much beyond that.
They [i.e. ambitious men] may not cease, but as a dog in a wheel, a bird in a cage, or a squirrel in a chain, so Budaeus compares them; they climb and climb still, with much labour, but never make an end, never at the top.
Girls are like apples...the best ones are at the top of the trees. The boys don't want to reach for the good ones because they are afraid of falling and getting hurt. Instead, they just get the rotten apples that are on the ground that aren't as good, but easy. So the apples at the top think there is something wrong with them, when, in reality, they are amazing. They just have to wait for the right boy to come along, the one who's brave enough to climb all the way to the top of the tree.
Climbing the mountain is always more fun than sitting at the top. It's just you have to find different mountains to climb.
I try to, at least once or twice a week, have someone over and model, usually a dancer friend or a poet or someone to come over and just stay still for me. Depending on how exhibitionist they are, it will determine the finished work. And I say, "You're the muse; you come up with it. I'll draw you however you want."
I hope I epitomize the American dream. For I came against long odds, from the ghetto to the very top of my profession. I was not immediately good at basketball. It did not come easy. It came as the result of a lot of hard work and self-sacrifice. The rewards, where they worth it? One thousand times over.
After my show and others like it began airing on TV, network executives started to see that there was a market for outrageous, over-the-top content.
If you want to reach the top, don't run over others. Likely, the only way you'll reach the top is to be carried there by others.
Why do you climb philosophical hills? Because they are worth climbing . . . There are no hills to go down unless you start from the top.
The number one metaphor I have in my mind for writing a screenplay is that...you're trying to climb a mountain blindfolded. And the funny thing about that is, you think, 'Okay, that's hard because you're climbing up a rock face, and you don't know where you're going, and you don't know where the top is, you can't see what's below you...' But actually the hardest part about climbing a mountain blindfolded is just finding the mountain.
You don't climb mountains without a team, you don't climb mountains without being fit, you don't climb mountains without being prepared and you don't climb mountains without balancing the risks and rewards. And you never climb a mountain on accident - it has to be intentional.
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