A Quote by John Newcombe
I wouldn't, a little bit frightened but throughout my life I'd learnt that when you're in the serious situations, you've got to try to stay calm. Because that's the way you get out of them.
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I trained with a few Olympic runners and jumpers. Just to try to get a little bit faster, a little bit better. Anything I could do to try to get a little bit better and stay ahead of the competition.
I used to be very superstitious, and then I got too much into that. I just try to stay away from all the superstitions that I can and try to get as calm as I can before the game. That's my new superstition: just to get as calm as I can.
I'm a stand-up comic, but I also have ideas, and I want to get them out. People think getting in front of the mic is the only way to work out. You've got to try different situations.
Everyone's frightened. It's how you deal with that fear. It's very, very powerful. And what you've got to do is get it as a tailwind instead of a headwind. And that's a little bit of a judo trick in your mind. And once you learn that, fear starts to excite you. Because you know that you are going to enter into something and try it and risk.
You've got to stay in pretty good shape to be a pro wrestler, and all the TNA wrestlers get a bit nervous when I wrestle them because they're afraid I'll tire them out, but the Olympics is a whole different level.
You've got to stay positive and go out and work as hard as you can to fix things, and there are going to be adjustments throughout your career, and hopefully it's a long one, so figuring out how to stay out there and get people out is part of baseball.
Throughout the course [of Twilight], you get to see a little more of her vampiric side, because I think she's this vampire with a heart of gold and so that was kind of fun - to show her be a little tough and a little fierce, and to show that she has a little bit of a sassy side when she's dealing with the wolves or with Jacob. So I feel like I got to really round [Alice Cullen] out quite nicely.
I get very little sleep. But I try to stay constantly busy. My fear is that if I stop working I'll, like, die. So throughout my life I've always tried to remain busy, and I sort of know no other way. I think if my heart rate slowed it would affect my constitution, strangely. I've been trained to do that.
I think I'm probably going to have more luck on tour, on the road, than I am at home, because as hectic as traveling can be, I have a little bit more control, for life situations out there on the road. It's the one aspect of my life I feel like I do have some control of. I can wake up in my hotel room, I'm alone and I can ease into the day and do what I need to do. It's not like I've got to get up and drive the kids to school, feed the dog, get to the gym, go to practice, go pay a bill, you know what I mean?
When you've got a lot of slaves at your command, you tend to get a little bit fat. You tend to get a little bit lazy. You tend to get a little incompetent because there's not much that you do for yourself anymore.
Even going out to get milk becomes a little bit challenging, just because there is a whole entourage that then travels with me for this simple thing. So I tend to try and find ways not to inconvenience a whole raft of other people, so it changes my mindset a little bit.
I really don't (stay calm) all the time. I just try to. Part of not just racing but in life, I try not to let the highs be too high and the lows be too low. I try to stay somewhere right in the middle. In racing it's not always easy to do. You can get too excited or overconfident when things are going good and it's easy to get too far in the ditch when things are going bad.
I do a little bit of hand-holding on the big cases. You know, like health care, I'll call over and say, "Don't worry. We've got it under control. We have the best people working on it. We're on schedule. Stay calm." So, those kinds of things.
When you get older, you have to stay a bit rock n' roll so that young people will still be interested in you. The way you move, the way you talk, maybe the way you have your hair in your face a little bit - this keeps you interesting.
I try to communicate with the musicians the way I communicate with the filmmakers. I'm not going to say to them, can we be a little bit more presto here. Hang on, this should be a bit more exciting, or I try to explain the scene to them, or I try to explain the context the notes are supposed to live in.
When you're not playing your head can drop, and you can get a bit negative. I try to tell them that there are a lot of things they can't control, selection being one of them, and that they should just try to stay positive.
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