A Quote by John Noble
Particularly in the final season [of Fringe], when we were shooting seven-day episodes with a reduced budget and big special effects, the team was so polished, by then, that we were able to do it and, I think, with incredible results.
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Nowadays, you can't broadcast dodgy special effects and then put up a caption saying, 'Sorry, this is what the budget was.' You have to do it with high production values because the audience has been spoilt by the special effects on things like 'The X Files' and 'Independence Day.'
Once we were in the studio, we realized we were getting certain effects through the shooting of the dramatic scenes on video, shooting off a screen and then getting wave patterns and stuff like that.
Ten episodes goes by really quickly, especially when you've got a really tough shooting schedule of seven-day episodes.
There were challenges with production because of the special effects. There are just some things that, although written, special effects just isn't able to do.
I think that in big-budget movies there's a lot of other stuff going on besides acting, like special effects.
Our team, because of our depth and our talent, we were able to do that, and it turned into a special season as a result.
I think some of the special effects in Close Encounters hold up better than the new more expensive special effects is because they were better actually.
I was in the pilot of ER: I played a 15-year-old pregnant girl they were treating. And then, in the final season, they were casting for interns.
Even though the third season of 'Necessary Roughness' was only ten episodes, they were an extremely intense bunch of episodes, especially toward the finale.
Even though the third season of Necessary Roughness was only ten episodes, they were an extremely intense bunch of episodes, especially toward the finale.
If you are not a good team, you will never get to the final day of the Premier League season or the final of the FA Cup.
I was offered seven deals from seven different major labels between 2009-2011, and to be quite honest... nowadays, you need a hit record, a great radio team, an amazing PR firm, social media, a big budget, a team that is ready to work extremely hard, and the drive and passion to win!
We do 32 episodes a season and will have shot 267 episodes by the end of the ninth season... It's impossible to sell that many episodes in the foreign market.
Christmas Day was special because everybody is watching at home. That's what I loved about Christmas Day because it shined the spotlight on the Lakers, on our team, and we knew that all of the other leagues were at home and millions of people were watching. So it made it a special day to play on Christmas.
I don't normally do big movies. I'm new to this world. And I've always been afraid that jumping onto a big budget film, you would lose the relationships in favour of special effects.
Pop was initially ignored as a moneymaker by the recording industry. In the seventies they were still relying on Frank Sinatra and Tony Bennett for their big hits. You know, most of the budget for the record companies in those days went to the classical department - and those were big budget albums.
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