A Quote by John Noble

I love having played Walter because I suppose any actor brings a certain aspect of their own personality to their work, and I had a fairly broad canvas to paint on with the different versions.
I've played a bunch of different versions of Walter [from "Fringe"]... I loved it when he was being random, which was probably the original version of him, more than anyone else. I loved doing Walter then, and all of the different mental states that we've played.
I love how everybody just brings a different personality to the mix and everyone's different in their own way. There's a lot of energy - that's the vibe of Team USA.
An actor is an actor is an actor. The less personality an actor has off stage the better. A blank canvas on which to draw the characters he plays.
Reverence is a perception of the soul. Reverence is a natural aspect of authentic empowerment because the soul reveres all of Life. When the personality is aligned with the soul, it cannot perceive life except with reverence. Approaching life with reverence is a step toward moving the personality into alignment with the soul because it brings an aspect of the soul directly into the physical environment.
I have no problem having any actor from anywhere play a role. I'm excited for any actor that gets a job, I truly am. Even if it's a role that I'm up for and I don't get it, I never begrudge any actor having it work out for them.
I suppose any person who's played somewhere for a certain amount of time and then has the opportunity to go back and just reminisce a little bit, maybe it holds a different feeling than some of the other places.
I paint my own reality. The only thing I know is that I paint because I need to, and I paint whatever passes through my head without any other consideration.
I would say that I have an aspect of my personality which is that I have no personality. That's why I work as an agent. I have the assumed personality of the people I represent. I am like a sponge.
For me, as an actor, with any character I'm playing, wardrobe brings a whole other aspect. Once I have the clothing on, it helps the transformation.
Impressionists have to paint with a very broad stroke because you've got to see it within a couple of seconds. You go, "That's a really funny Robert De Niro." As an actor, though, you look at different aspects of a character. I try to completely surround myself with the assignment. It's like being in a big cloud and then some of it rains through.
My app is the same juicy paint used by Vincent Van Gogh; my screen is the woven canvas of Titian. Painting by hand, I've come to figure, is a certain kind of love.
Graffiti is a lot easier than the canvas actually, because it's such a large format, so when you're going to such a thin detail, it's not that thin in the realm of things because it's such a big wall. This would take a small paint brush of detail, but on a huge wall, if that's the size of a building, the thinnest detail is still that big, it's a quick spray. Spray paint is easiest for me. I love spray paint.
I've read a lot of different versions of myself - and all of them are true because it's all opinion, and they're as accurate as it can ever be. But I don't think that I've been deft at hiding parts of my personality.
Life in itself is an empty canvas; it becomes whatsoever you paint on it. You can paint misery, you can paint bliss. This freedom is your glory.
There are so many versions of Batman that I love so much from different artists that I had to almost stop trying to draw those versions and get past that and just draw the Jeff Lemire version of Batman eventually.
It's amazing because wrestling is global. No matter where we go in the world, it brings in the same love and response everywhere. It brings in so many different diversities and people from different walks of life.
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