A Quote by John O'Hara
Well, men go to musicals. Women are the ones that buy the tickets for plays.
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There are days when I think the National Endowment for the Arts should issue a quota system for the production of plays by women - especially when you realize women buy 70 percent of all theater tickets.
I love performing in a good straight play as well and I'm a crossover actor, I crossover from plays to musicals, musicals to plays. This is very difficult for performers.
Look at the shows that are really successful on Broadway. They're musicals. They're things that a woman will pick out the tickets for, or a man will buy the tickets with a woman in mind. It's a date. It's boyfriend-girlfriend, husband-wife. That's what the theater in New York has become.
In Brazil, you buy tickets to go to the stadium to watch the carnival, but in Trinidad, you buy a costume and take part. There are very few things that can rival that experience.
It's about supporting the many talented artists and filmmakers out there trying to create work from that marginalized point of view. Go out and buy tickets to their movies and plays, support their crowd sourcing campaigns, show the industry that there is a viable audience for this work.
Patriarchy doesn't just make men out to be ogres. Women buy into the patriarchy as well, and women make those comments as well, like, 'Boys will be boys.' Women have to undo that stuff, too.
I feel that the thing about film and particularly about TV, actually, is it's being created now. We're living in the best time so far because there are many more women writing and women directing, women producing, and people are finally catching on to the fact that women want to go and buy tickets to see female characters and more than one in a film. So I actually think it's a very fertile time to be a woman over 40.
Musicals are — particularly musicals — plays also, but musicals particularly are… the last collaborator is your audience, and so you’ve got to wait ’til the last collaborator comes in before you can complete the collaboration.
In the era of Venus Williams, girliness and goo isn't the way to every woman's heart. Yet publishers presume that women only buy a book that looks soft and that appears to be all about women, even if it isn't. Yet women, unlike men, buy books by and about both sexes.
There is a disease to which plays as well as men become liable with advancing years. In men it is called doting, in plays dating.The more topical the play the more it dates.
In the future you're going to be able to go into a 7-Eleven and buy a ticket on a game, and people who don't use gambling as often as others do, like the people who go and buy lottery tickets, there's going to be more opportunity for people to do it. And with people casually gambling throughout the country, it's going to generate a lot of money.
The Internet is manic. It's very strange. I don't think it's healthy. They should outlaw posting comments! It's a bummer to go somewhere to get information or buy tickets and you encounter profanity everywhere you go.
When it comes to women, there has been a tendency to define women in sports in the context of their relationships - they watch games because their husbands watch. They're interested because their kids play a sport. They buy tickets to a sporting event because it's a way to spend time with family.
I write plays, and I have a musical that's starting to get produced now. That's what I would love to do, but it's so hard. The only reason people are reading my plays and musicals is because I'm in movies.
Women are just much better at getting degrees than men. It seems that school at every level plays to the natural strengths of women more than it does to men.
If you just look at the number of roles for women versus the number of roles for men in any given film, there are always far more roles for men. That's always been true. When I went to college, I went to Julliard. At that time - and I don't know if this is still true - they always selected fewer women than men for the program, because there were so few roles for women in plays. That was sort of acknowledgment for me of the fact that writers write more roles for men than they do for women.
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