Never play cards with a man called Doc. Never eat at a place called Mom's. Never sleep with a woman whose troubles are worse than your own.
Never eat in a place called 'Mom's'.
You have got to play the game with the cards that have been dealt to you, and it is of no use for you to bewail your fate because you don't hold different ones. Look them over, arrange them, and play. You certainly must play them before you will get any others, and you need never expect to have other people's cards.
Never eat at a place called 'Moms', but if the only other place in town has a sign that says 'Eats', go back to Moms.
In '57, I got a job at the Blue Angel nightclub, and a gentleman named Ken Welch wrote all my material for me. I lived at a place called the Rehearsal Club that was actually the basis for a play called Stage Door.
Never eat at a Chinese restaurant named Mama Teresa's Trattoria.
I have no sense of direction; I never know where I am. When I back up a car, I'm more likely to hit what's behind me than not, because I have no vision for it. I've never been able to play games or play cards because I can't in my head get the next move. I've never been able to balance a checkbook. So there's some brain damage, but it may be that very brain damage that allows me to do the work I do. I've never met a cartoonist who isn't quirky or weird in some ways.
Good soldiers never pass up a chance to eat or sleep. They never know how much they'll be called on to do before the next chance.
My mom is in the navy and my dad works for the army, but I never called them 'sir' or 'ma'am' or anything like that, and we never really moved around a lot because both my parents were stationed in D.C.
We all used to collect baseball cards that came with bubble gum. You could never get the smell of gum off your cards, but you kept your Yankees cards pristine.
My mother never threw anything out. If there was a sliver of a tomato, it was in the refridge. I would come in with my friends, and Mom would say, 'Want something to eat?' In 20 minutes, there was four, five dishes to eat.
It is odd, but on the infrequent occasions when I have been called upon in a formal place to play the bongo drums, the introducer never seems to find it necessary to mention that I also do theoretical physics.
I have a lot of different collections of cards at home. It's hard to say my favorite deck, but there is a deck called the medicine cards, and it's Native American animal cards.
Never try to get your kid to eat anything she doesn't already want to eat. Just eat interesting stuff in front of her while completely ignoring her. Never, ever suggest "try it." Never say those dreaded words "try it, it's good." Or worse, "It's good for you." That'll poison the well.
I was doing a play in New York, which we had done in New Haven, Connecticut. It was an American premiere of a play called The Changing Room written by a wonderful man named David Story. It was about a rugby team in the North of England. It got just screaming rave reviews. At that time, virtually every major critic went up to the Long Wharf Theater to see a new play like that.
I want to play a real man in all my films, and I define manhood simply:
men should be tough, fair, and courageous, never petty,
never looking for a fight, but never backing down from one either.