The Gershwin legacy is extraordinary because George Gershwin died in 1937, but his music is as fresh and vital today as when he originally created it.
When you look at the actual numbers, the number of people who died after 9/11 was greater than the number of people who died in 9/11, even if you are talking Americans. But you know, I don't like to talk Americans. I want to talk everybody. More innocent people died after 9/11 because of 9/11 than died in 9/11.
My first role was in the George Gershwin musical 'Crazy for You' at the Orlando Repertory Theatre when I was 11 - I grew up in Florida - and I wasn't old enough to be in it, but they let me anyway. I was just this little shrimp in a leotard.
I wanted to honor [George Gershwin]. He's a great American songwriter.
I wanted to grow up to be George and Ira Gershwin from the age of about six.
My life, I realize suddenly, is July. Childhood is June, and old age is August, but here it is, July, and my life, this year, is July inside of July.
Not to dismiss Gershwin, but Gershwin is the chip; Ellington was the block.
To George Gershwin, on refusinghim as a pupil: You would only lose the spontaneous quality of your melody, and end by writing bad Ravel.
We want to play a full year, July to July, because that will mean we've been successful.
I was lucky enough to have the songs in my first show written by George and Ira Gershwin. Then Cole Porter wrote five shows for me.
I was lucky enough to have the songs in my first show written by George and Ira Gershwin. Then Cole Porter wrote five shows for me
As far as songwriters, I've always been a fan of Irving Berlin, Cole Porter, and George Gershwin; those guys mean a lot to me.
As a composer, Dylan now fits comfortably alongside George Gershwin or Irving Berlin, though he grumpily refuses to wear any man's collar.
None of the ways people were talking about September 11 felt right to me. I don't buy into the way George W. Bush talks about it. I don't buy into the way the 9/11 commission talks about it. It isn't that I don't believe them. It's just that they're not the tellings for me.
When George [Harrison] died the guards at Buckingham Palace played a medley of George's songs during the changing of the guard; that sort of thing never happens.
I want manned spaceflight, not just back to the Moon, but beyond that. And I want my daughters and my son to have their own July 20, 1969, to remember. Apollo 11 didn't give us wings; it only showed us how far the wings we had would take us.