A Quote by John Oates
With his passing, Dick Clark deserves to take his place at the top in the pantheon of popular culture icons.
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I remember seeing this picture my mother had of Dick Clark. It didn't inspire me to be an actor or anything, but when I did 'American Dreams' with Dick Clark, my mother came out, and she showed him this picture of them that was taken 35 years earlier. It was great.
It is fashionable to scoff at Americans, but they routinely produce most of the important and ground-breaking entertainment in the world. 'Popular culture' is still culture, Shakespeare was once as popular as any of today's icons with the common people.
One night, I knocked out Mr. T, kicked Cyndi Lauper, chased Dick Clark back to his locker room, and slapped Little Richard.
Dick Clark will be truly missed. We will carry on his legacy every New Year's Eve.
In my Pantheon, Pan still reigns in his pristine glory, with his ruddy face, his flowing beard, and his shaggy body, his pipe and his crook, his nymph Echo, and his chosen daughter Iambe; for the great god Pan is not dead, as was rumored. No god ever dies. Perhaps of all the gods of New England and of ancient Greece, I am most constant at his shrine.
Superman didn't become Superman. Superman was born Superman. When Superman wakes up in the morning, he's Superman. His alter ego is Clark Kent. His outfit with the big red "S", that's the blanket he was wrapped in as a baby when the Kents found him. Those are his clothes. What Kent wears - the glasses, the business suit - that's the costume. That's the costume Superman wears to blend in with us. Clark Kent is how Superman views us. And what are the characteristics of Clark Kent. He's weak... he's unsure of himself... he's a coward. Clark Kent is Superman's critique on the whole human race.
Men in all societies possess the biological equipment to remove their hats or shoes, but it is the birth within a particular culture that decides that a Jew will keep his hat and shoes on in his place of worship, a Mohammedan will take off his shoes, and a Christian will keep his shoes on but remove his hat.
Dick Gregory will be greatly missed. Humbly, and in his stead, 'Turn Me Loose' carries on to be his voice and his inspiration for all who wish to laugh at the absurdity of racism and be enlightened by his spirit of justice.
When Clark Gable, MGM's most popular and famous leading man asked for a percentage of the profits from his films, he was flatly refused. A top executive was reported to have said, He's nobody. We took him from nobody. We lavished him with lessons and publicity and now he's the most desired man in the world. Who taught him how to walk? We straightened his teeth and capped them into that smile. We taught this dumb cluck how to depict great emotions, and now he wants a piece of the action? Never!
I watched Gene Kelly for his smile, for his energy. Vittorio Gassman for his movement. Clark Gable for his mustache. And I watched Lassie who was happy as a dog.
All His glory and beauty come from within, and there He delights to dwell, His visits there are frequent, His conversation sweet, His comforts refreshing; and His peace passing all understanding.
Old age likes to dwell in the recollections of the past, and, mistaking, the speedy march of years, often is inclined to take the prudence of the winter time for a fat wisdom of, midsummer days. Manhood is bent to the passing cares of the passing moment, and holds so closely to his eyes the sheet of, "to-day," that it screens the "to-morrow" from his sight.
Dick Clark was a really great influence in my career; he helped me a lot with his whole organization, and they were awesome to me at all different points - but one thing that I really disagreed with him on was when he said that what I do, pop music, is a disposable art form.
The editor sat in his sanctum, his countenance furrowed with care, His mind at the bottom of business, his feet at the top of a chair, His chair-arm an elbow supporting, his right hand upholding his head, His eyes on his dusty old table, with different documents spread.
Zhukov was the most successful commander of World War II, who fell from grace under Khrushchev, but never lost his place in the pantheon of Soviet heroes.
Somebody asked Somerset Maugham about his place in the pantheon of writers, and he said, "I'm in the very front row of the second rate." I'm sort of haunted by that.
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