A Quote by John Oates
I think in music and a lot of creative fields, people's egos get in the way of their ability of seeing the big picture.
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I know I play a lot of jocks, but I'm actually a really big board game and video game nerd. It's one of the most interesting fields of entertainment because you get to create your own role and create your own rules. Some people get so creative with it, and I'm also super competitive. I'm a really big nerd.
I think some people need the assurance of people around them and ideas worked out in advance. I think it keeps me an edge that to be creative on the spot. You have to think of things to do when you meet people. You limit your choices from the beginning. So I don't bring a lot of lenses, cameras, all these elements that can help the picture to a shooting. You confine yourself to, say, one room and you just make it work. You become very creative in that little space. You have left a lot of other options out of the game.
I think, for me specifically when it comes to music, I don't think that I need any persuading to think about it. It's always kind of in the back of your mind and - but I think it's part of who I am and always will be, I mean, in a very cellular way. When you grow up doing, you know, one thing, I think you get to this place where you want to try new things. And I do think that we live in the type of world where people get comfortable with you in one way, and so seeing you in a different way, it takes some time.
Acting is a creative process, and directing and music. I think creative people - and I take myself as a creative person and it doesn't mean you have to be an actor, a musician, or a painter - but I think if you are in a creative profession or a creative business you do have a heightened awareness.
Our music is an answer to the early Seventies when artsy people with big egos would do vocal harmonies and play long guitar solos and get called geniuses.
Music documentaries are hard to tell, but I think they're an amazing vehicle to look at racism, our attitude to sex, the way we judge drugs. There's the ability to get a big audience because of these incredible, iconic, charismatic people. You can look at a number of issues - the challenge is to make sure you choose something that has all those issues. Popular music is like a mirror of culture, of who we are.
When I was 17, I taught music; I had 65 students a week, and I did that for a year. So that's pretty regular. But it was great to give the gift of music to people, seeing them learn. It's great to influence young people in a creative way.
Some people confuse confidence with arrogance. There's no doubt in the business world there are a few big egos and I think arrogance can get in the way. But if you have the confidence to go to your higher superior and say this is wrong, it can make a difference.
I think it is the weak and the young and the minorities that you need to look after to get a healthy creative environment - to get a lot of choices, a lot of different styles of music, a lot experimental stuff that everyone else feeds off.
I don't think of an actor. I think in the character, and then I search for the actor. Usually I'm thinking without names, because they will change my idea. No big egos. If I want egos - just mine. That is enough.
I really liked punk music and experimental music that my brother was taking me to go see in the city, when I was probably, like, 13 years old. I was seeing a lot of teenagers making 'weird' music, and I think that was probably a big part of the reason that I actually started to play myself.
Artists, writers and people in creative fields are entrepreneurs by necessity. Nobody gives them a paycheck or picks up their medical insurance. The ones who succeed learn to think and act like 'independent operators.' I think people who are technically 'employees' have to think this way as well. The company is not looking out for you.
I think a lot of people get intimidated by the language of music, but everyone owns music. I think there's nothing standing in between a composer and her audience. I think a lot of people feel that way because they feel it's rarefied, but it's really not. You should feel the impact of it without being able to name it because it's ultimately a primal thing.
To come out in the music business, you only really get one shot. A lot of people get to play small gigs first, and build up that way, without anyone really seeing them.
I don't think I approach my songs differently from other artists. You get a big picture of it, and you imagine the song and hear and feel it, and that big picture is like a snapshot, and it comes to you as fast as it takes to click a camera.
There is a spirit in all music, the spirit has the ability to conjure up thoughts even pictures of something that happened or you wished would happen or you anticipate happening. Music has the ability to create ideas in you and me. It has the ability to encourage us to be creative.
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