A lot of what I listened to growing up was blues, but also folk and indie music. So there's this marriage of songs that structurally are quite bluesy. Sound-wise, there's a lot of indie as well. But you can't really say I'm pop-blues, because that's insulting to blues. It just can't exist.
I think of rock 'n' roll as a combination of country blues and swing band music, not Chicago blues, and modern pop.
From country rock to Cajun, classic rock to Latin, and blues to Americana, I've had the pleasure of re-discovering the 'jewels' from my repertoire that are so well-liked.
I cut all my early records in Nashville, so I guess that makes me country. I call it country pop, but my love of the blues is in there, too.
All of my solos are blues based. Even though a lot of my songs get into pop, I wind up going back to the blues. Trying to escape it is like trying to run from the devil.
I learned jazz; that comes from blues. I learned rock; that comes from blues. I learned pop; that comes from blues. Even dance, that comes from blues, with the answer-and-response.
Since I was a kid, I've had an absolute obsession with particular kinds of American music. Mississippi Delta blues of the Thirties, Chicago blues of the Fifties, West Coast music of the mid-Sixties - but I'd never really touched on dark Americana.
I'm not really a country singer, although I did make a couple albums and love its simple, straight-from-the-heart approach, but I have always sung a lot of jazz, show tunes, pop tunes, gospel and blues.
I just love music, and I'm not as genre specific as most songwriters. A lot of my buddies just listen to country, or just Americana, or whatever their style is, and I just listen to everything.
There are happy blues, sad blues, lonesome blues, red-hot blues, mad blues, and loving blues. Blues is a testimony to the fullness of life.
I don't remember any impression [from blues].The blues was just everywhere in the Mississippi Delta. It was mostly black sharecroppers living there, and there was a lot of blues around. Sometimes the guys would sing the blues in the fields, working.
I want to go back to the format that radio started with rock n' roll, with country artists and rhythm and blues with that oldies type feeling. I want to put it all together and create a Top 40 of rhythm and blues and country and straight blues with Wolfman at the reins.
I love most melodic music - classical, reggae, big band, jazz, blues, country, pop, swing, folk.
I think we as a band, as individuals, understand that all popular music stems from blues and jazz and even pop, but rock 'n' roll especially comes from blues.
Jazz and blues fests are everywhere now, and Americana is going strong on college radio. What I'm hearing is an appreciation of real music.
I spent a few years here in Memphis, in the late '70s and early '80s, where I was studying a lot of country blues players and their styles. So it seems like every record I'll do, I will appropriate these blues styles that I remember.